Twelve-Note Music as Music: an Essay in Two Parts

Benjamin Earle

doi:DOI: 10.1111/musa.12042

Twelve-Note Music as Music: an Essay in Two Parts

Benjamin Earle

Music

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Abstract

Analysts of twelve-note music tend to treat this repertory as if it were composed of numbers rather than notes. The first part of this article asks how they might treat this music as if it were music. A theoretical position is developed via close readings of the work a number of theorists and philosophers, notably Roger Scruton and Theodor W. Adorno. In part two, the potential of the position developed in part one is tested in a review of three books on twelve-note music by Nikos Skalkottas and Luigi Dallapiccola.

Original language	English
Pages (from-to)	91–149
Number of pages	58
Journal	Music Analysis
Volume	34
Issue number	1
DOIs	https://doi.org/DOI: 10.1111/musa.12042
Publication status	Published - Mar 2015

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DOI: 10.1111/musa.12042

twelve-note music as music, pre-edited version
This is the pre-peer reviewed version of the following article: Earle, B. (2015), Twelve-Note Music as Music: an Essay in Two Parts. Music Analysis, 34: 91–149. , which has been published in final form at http://dx.doi.org/10.1111/musa.12042. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving. Checked October 2015
Submitted manuscript, 15.6 MBLicence: None: All rights reserved

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Twelve-Note Music as Music: an Essay in Two Parts

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