The Male Return to the Countryside in Spanish Culture

Lorraine Ryan

doi:10.1080/14753820.2023.2291278

The Male Return to the Countryside in Spanish Culture

Lorraine Ryan^*

^*Corresponding author for this work

Modern Languages

Research output: Contribution to journal › Article › peer-review

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Abstract

This article explores the cultural representation of the urban male´s return to the countryside in Santiago Lorenzo´s Los Asquerosos, Javier Cercas´s Terra Alta, Oliver Laxe´s Lo que arde, Rodrigo Sorogoyen´s As Bestas and Mikel Guerrea´s film Suro. The analysis will consider the interrelated themes of gender equality, affect, male mental health, class, arguing that the rural space is represented as both a potential locus for reinvention for male urbanites, but also a space of decline and violence that reaffirms hegemonic masculinity.

Original language	English
Article number	2291278
Number of pages	28
Journal	Bulletin of Spanish Studies
Early online date	24 Jan 2024
DOIs	https://doi.org/10.1080/14753820.2023.2291278
Publication status	E-pub ahead of print - 24 Jan 2024

Bibliographical note

Not yet published as of 22/01/2024.

Keywords

Male Mental Health
Ecocriticism
Masculinity in Spanish Culture
Rurality in Spanish Culture
Las Bestias
Los Asquerosos
Lo que arde
Terra Alta

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

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10.1080/14753820.2023.2291278Licence: Creative Commons: Attribution (CC BY)

RyanL2024MaleFinal published version, 517 KBLicence: Creative Commons: Attribution (CC BY)

Cite this

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title = "The Male Return to the Countryside in Spanish Culture",

abstract = "This article explores the cultural representation of the urban male´s return to the countryside in Santiago Lorenzo´s Los Asquerosos, Javier Cercas´s Terra Alta, Oliver Laxe´s Lo que arde, Rodrigo Sorogoyen´s As Bestas and Mikel Guerrea´s film Suro. The analysis will consider the interrelated themes of gender equality, affect, male mental health, class, arguing that the rural space is represented as both a potential locus for reinvention for male urbanites, but also a space of decline and violence that reaffirms hegemonic masculinity.",

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N2 - This article explores the cultural representation of the urban male´s return to the countryside in Santiago Lorenzo´s Los Asquerosos, Javier Cercas´s Terra Alta, Oliver Laxe´s Lo que arde, Rodrigo Sorogoyen´s As Bestas and Mikel Guerrea´s film Suro. The analysis will consider the interrelated themes of gender equality, affect, male mental health, class, arguing that the rural space is represented as both a potential locus for reinvention for male urbanites, but also a space of decline and violence that reaffirms hegemonic masculinity.

AB - This article explores the cultural representation of the urban male´s return to the countryside in Santiago Lorenzo´s Los Asquerosos, Javier Cercas´s Terra Alta, Oliver Laxe´s Lo que arde, Rodrigo Sorogoyen´s As Bestas and Mikel Guerrea´s film Suro. The analysis will consider the interrelated themes of gender equality, affect, male mental health, class, arguing that the rural space is represented as both a potential locus for reinvention for male urbanites, but also a space of decline and violence that reaffirms hegemonic masculinity.

KW - Male Mental Health

KW - Ecocriticism

KW - Masculinity in Spanish Culture

KW - Rurality in Spanish Culture

KW - Las Bestias

KW - Los Asquerosos

KW - Lo que arde

KW - Terra Alta

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SN - 1475-3820

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M1 - 2291278

ER -

The Male Return to the Countryside in Spanish Culture

Abstract

Bibliographical note

Keywords

UN SDGs

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Cite this