Abstract
This article frames Beatriz y los cuerpos celestes within the context of Spanish neoliberalism as revealed by class distinction, urban spatial cleavages, and neoliberal feminism. Based primarily on a dual theoretical framework of neoliberal feminism and Mimi Schippers’ dichotimization of hegemonic and pariah femininities, with tangential theoretical references to bisexuality and urban policy in Madrid, I revisit Etxebarría’s relationship to feminism and interrogate her subscription to a neoliberalist world view. This conceptual basis provides a new prism for assessing Etxebarría’s feminist credentials, while also exploring her interrelated neoliberal conformity. My analysis is tripartite, consisting of an initial scrutiny of her textual encoding of a neoliberal feminism which produces a hegemonic femininity that creates stigmatized ‘pariah femininities’. In the second part of this article, I examine her representation of class and spatial striation in the urban milieu of Madrid. The final section deconstructs Etxebarría’s narrative representation of lesbianism and bisexuality. Criticism to date has tended to pivot exclusively around the figure of Beatriz, and by according critical primacy to the novel’s secondary female characters, such as Mónica, her mother Charo, Beatriz’s mother, Herminia and Cat, I aim to uncover this much-studied novel’s unexplored inferences concerning female subjectivity, urban space, and class in contemporary Spain.
Original language | English |
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Pages (from-to) | 26-42 |
Journal | Romance Studies |
Volume | 34 |
Issue number | 1 |
Early online date | 12 May 2016 |
DOIs | |
Publication status | E-pub ahead of print - 12 May 2016 |
Keywords
- Contemporary Spanish Women's Writing
- Lucía Etxebarría
- Contemporary Spanish Literature