Sculpture and Faith at St Paul’s Cathedral, c. 1796-1914: W. F. Woodington, The Gospel of St Luke (1862): Enlisting the Bible

Michaela Giebelhausen

doi:10.1093/jvcult/vcac022

Sculpture and Faith at St Paul’s Cathedral, c. 1796-1914: W. F. Woodington, The Gospel of St Luke (1862): Enlisting the Bible

Michaela Giebelhausen^*

^*Corresponding author for this work

Art History, Curating and Visual Studies

Research output: Contribution to journal › Article › peer-review

Abstract

My contribution to this roundtable takes William Frederick Woodington’s relief as its starting point for a wider exploration of the use of biblical iconography and modes of storytelling in the sculptures and monuments at St Paul’s Cathedral.

Original language	English
Pages (from-to)	92-98
Number of pages	7
Journal	Journal of Victorian Culture
Volume	28
Issue number	1
Early online date	27 May 2022
DOIs	https://doi.org/10.1093/jvcult/vcac022
Publication status	Published - Jan 2023

Keywords

religious art
biblical art
victorian art
visual narration
bibilical illustration

Access to Document

10.1093/jvcult/vcac022

Cite this

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title = "Sculpture and Faith at St Paul{\textquoteright}s Cathedral, c. 1796-1914: W. F. Woodington, The Gospel of St Luke (1862): Enlisting the Bible",

abstract = "My contribution to this roundtable takes William Frederick Woodington{\textquoteright}s relief as its starting point for a wider exploration of the use of biblical iconography and modes of storytelling in the sculptures and monuments at St Paul{\textquoteright}s Cathedral.",

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author = "Michaela Giebelhausen",

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Sculpture and Faith at St Paul’s Cathedral, c. 1796-1914: W. F. Woodington, The Gospel of St Luke (1862): Enlisting the Bible

Abstract

Keywords

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