Abstract
This chapter explores the decolonial potential of Djaimilia Pereira de Almeida’s sixth book, As Telefones (2020), which read as a hypercontemporary novel whose interpretative possibilities go beyond established approaches to the work of the author, presents the book in the broader framework of semi-peripheral European fiction. Drawing attention to the ways in which the narrative portrays cosmopolitanism in the age of migration, it focuses on the book’s decolonial critique of the entanglement of technology and capitalism in its longue durée, registered in the fractures of contemporary intersubjective relations.
Original language | English |
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Title of host publication | The Hypercontemporary Novel in Portugal |
Subtitle of host publication | Fictional Aesthetics and Memory after Postmodernism |
Editors | Paulo de Medeiros, Ana Paula Arnaut |
Place of Publication | New York |
Publisher | Bloomsbury |
Chapter | 10 |
Pages | 141-156 |
Number of pages | 15 |
Edition | 1 |
ISBN (Electronic) | 9798765100332, 9798765100325 |
ISBN (Print) | 9798765100318 |
Publication status | Published - 8 Feb 2024 |
Keywords
- decolonial critique; cosmopolitanism; semi-peripheral novel; technology