Introduction

Patricia Noxolo; H. Patten; Sonjah N. Stanley Niaah

doi:10.4324/9781003205500-1

Introduction

Patricia Noxolo^*, H. Patten, Sonjah N. Stanley Niaah

^*Corresponding author for this work

Geography

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Abstract

This chapter sets out the concept of in/security in greater detail. Drawing on her research on in/security, rather than as a dancehall practitioner or researcher, Patricia Noxolo offers a critical review of the work of some of the key theorists of dancehall – Sonjah N. Stanley Niaah, Carolyn Cooper, Donna Hope and Julian Henriques. Her chapter theorises corporeal negotiation of in/security and then applies this theorisation to dancehall spaces. She delineates the negotiative agency of dancehall bodies, in terms of their sonic, affective and visual meanings, with a view to mapping out a field of enquiry around embodied in/security in the dancehall space.

Original language	English
Title of host publication	Dancehall In/Securities
Subtitle of host publication	Perspectives on Caribbean Expressive Life
Editors	Patricia Noxolo, 'H' Patten, Sonjah Stanley Niaah
Publisher	Routledge
Pages	1-13
Number of pages	13
Edition	1st
ISBN (Electronic)	9781003205500, 9781000550306
ISBN (Print)	9781032071251, 9781032071268
DOIs	https://doi.org/10.4324/9781003205500-1
Publication status	Published - 24 Mar 2022

Publication series

Name	Routledge Advances in Theatre & Performance Studies
Publisher	Routledge

ASJC Scopus subject areas

General Arts and Humanities
General Social Sciences

Access to Document

10.4324/9781003205500-1

1 Book

Dancehall in/securities: Perspectives on Caribbean expressive life
Noxolo, P. (ed.), Patten, H. (ed.) & Stanley Niaah, S. N. (ed.), 24 Mar 2022, 1st ed. Routledge. 180 p. (Routledge Advances in Theatre & Performance Studies)
Research output: Book/Report › Book

Cite this

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Introduction

Abstract

Publication series

ASJC Scopus subject areas

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Research output

Dancehall in/securities: Perspectives on Caribbean expressive life

Cite this