Abstract
This article explores the visual representation of gossip, rumourmongering, storytelling, and other analogues of oral exchange in mid twentieth-century small-town American visual narrative. I herein examine two key visual artists of the interwar period – photographer Ben Shahn and painter Norman Rockwell – and their place within the small-town narrative form, as well as Life magazine and its institutional small-town preoccupations. Considering Shahn's photographic work conducted as part of the Farm Security Administration to Rockwell's culturally dominant scenes of idyllic small-town life, I argue that both emphasize gossip's narratability despite their drastically different provenance. Opposing Shahn's scenes of Depression-era poverty with Rockwell's homogeneous vignettes of rural life, it will be concluded that gossip and oral exchange remained a vital narrative constituent for artists of the small town during the mid-twentieth century, and that its narrative significance cannot be overstated.
Original language | English |
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Pages (from-to) | 60-83 |
Journal | Journal of American Studies |
Volume | 57 |
Issue number | 1 |
Early online date | 14 Oct 2022 |
DOIs | |
Publication status | Published - 1 Feb 2023 |