Abstract
This chapter examines a series of teapots, produced in the 1760s, whose material and decorative contradictions prompted questions about scale, knowledge, and mortality. By examining these different registers, the chapter reveals the diverse roles these diminutive and densely patterned teapots played in the cultural and social life of eighteenth-century Britain. The designs featured on these teapots sought to represent rock formations and fossils. In a culture increasingly interested in the emerging discipline of geology and the history of the earth, such designs prompted important conversations. At the same time, the materiality of these wares, which was both highly breakable and durable, allowed for questions about material knowledge. The material qualities also asked about the nature of human lives and mortality. Ceramics could be bequeathed over generations and broken in an instant. Finally, the function of these pots and their role in tea drinking, meant that these objects were constantly handled and made animate. The form of these wares was unusual, however, and their discordant features highlighted the “otherness” of objects. In exploring the different decorative, material, and functional aspects of these pots, the chapter shows how relatively small things were particularly adept at asking big questions.
Original language | English |
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Title of host publication | Small Things in the Eighteenth Century |
Subtitle of host publication | The Political and Personal Value of the Miniature |
Editors | Chloe Wigston Smith, Beth Fowkes Tobin |
Place of Publication | Cambridge |
Publisher | Cambridge University Press |
Chapter | 6 |
Pages | 95-108 |
Number of pages | 14 |
ISBN (Electronic) | 9781108993296 |
ISBN (Print) | 9781108834452 |
DOIs | |
Publication status | Published - Sept 2022 |
Keywords
- material culture
- materiality
- ceramics
- time
- natural history
- scale
- empire
- teapots