The chapter discusses how the National Theatre has implemented an agenda that has served the broadening of its audience base in recent years challenging preconspetions as to the imagined straightforward binaries between high- and middle-brow culture.
|Title of host publication||High Culture and/versus Popular Culture|
|Editors||Sabine Coelsch-Foisner, Dorothea Flothow|
|Place of Publication||Heidelberg|
|Number of pages||8|
|Publication status||Published - 2009|