TY - JOUR
T1 - Barbarity in a teacup?
T2 - Punch, domesticity and gender in the eighteenth century
AU - Harvey, K.
PY - 2008
Y1 - 2008
N2 - The juxtaposition between refinement and barbarity was a critical one in eighteenth-century England. This essay examines the gendered aspects of this distinction as it was manifested in the meanings associated with punchbowls, teacups and punch pots. The new hot drinks of the seventeenth and eighteenth centuries are now a well-examined subject of historical research. Work on coffee has emphasized consumption in male-dominated coffee houses, places which also served as loci for concerns about uncivil behaviour. In contrast, tea drinking is seen as central to polite domestic sociability, linking women and the home. Punch and the material culture of punch drinking, however, has been subjected to very little historical attention. This essay considers eighteenth-century juxtapositions of tea and punch, exploring therein the distinctions between refinement and barbarity, women and men and home and outside. The article then examines developments in the material culture of punch drinking and the appearance of punch pots from mid-century. The article closes with the argument that these hybrid vessels playfully united masculine homosociability and feminine domesticity, at a time when the discourse of domesticity was being consolidated.
AB - The juxtaposition between refinement and barbarity was a critical one in eighteenth-century England. This essay examines the gendered aspects of this distinction as it was manifested in the meanings associated with punchbowls, teacups and punch pots. The new hot drinks of the seventeenth and eighteenth centuries are now a well-examined subject of historical research. Work on coffee has emphasized consumption in male-dominated coffee houses, places which also served as loci for concerns about uncivil behaviour. In contrast, tea drinking is seen as central to polite domestic sociability, linking women and the home. Punch and the material culture of punch drinking, however, has been subjected to very little historical attention. This essay considers eighteenth-century juxtapositions of tea and punch, exploring therein the distinctions between refinement and barbarity, women and men and home and outside. The article then examines developments in the material culture of punch drinking and the appearance of punch pots from mid-century. The article closes with the argument that these hybrid vessels playfully united masculine homosociability and feminine domesticity, at a time when the discourse of domesticity was being consolidated.
UR - http://www.scopus.com/inward/record.url?eid=2-s2.0-61449387618&partnerID=MN8TOARS
U2 - 10.1093/jdh/epn022
DO - 10.1093/jdh/epn022
M3 - Article
SN - 0952-4649
VL - 21
SP - 205
EP - 211
JO - Journal of Design History
JF - Journal of Design History
IS - 3
ER -