Deniz Sözen is of mixed Turkish-Austrian heritage and grew up between Turkey and Austria. She studied Fine Art at the University of Applied Arts in Vienna and at Goldsmiths, University of London. In 2019 she completed a practice-based PhD at the Centre for Research and Education in Arts and Media (CREAM), the University of Westminster.
Deniz initially joined the University of Birmingham as a visiting lecturer convening the module ‘Political Art’ in 2021. She was subsequently offered a two-year lectureship in the same year. She has taught in undergraduate and postgraduate programmes, and held workshops at art colleges internationally, including the University of Westminster, the University of Reading, the Academy of Fine Arts Vienna, Sigmund Freud University Vienna, the University of Art and Design Linz, Berlin University of the Arts (UdK) and UCA Farnham. Prior to her appointment at the University of Birmingham, she taught Critical Discourses on the BA Fine Art Programme at Central St. Martins, the University of the Arts London. She has been an associate fellow of the Higher Education Academy since 2015.
Her artistic research has been presented in various contexts internationally. Recent exhibitions include ‘‘The Moon Museum’ at MAC Birmingham (2019), Hyphen’ at Ambika P3 in London (2019), ‘The Art of Un-belonging’ (solo) at London Gallery West (2018) and ‘ResponseABILITY’ at < rotor> center for contemporary art in Graz (2018). She has shown her work at Kunsthalle Exnergasse Vienna, VbKÖ Vienna, Ars Electronica Center Linz, MAK Center for Art and Architecture Los Angeles, Landesgalerie Eisenstadt, x:hibit Vienna, Lust Gallery Vienna and at the Austrian Cultural Forum in London.
Deniz has received numerous awards and residencies, including, ‘West Balkan Calling’, Public ROOM Sarajevo, Bosnia-Herzegovina (2016), the MAK Schindler scholarship Los Angeles (2013/14), Cité des arts in Paris (2014), the CREAM research scholarship (2014-2017) and the Marianne.von.Willemer.Prize for digital media (Ars Electronica Center, 2014).
Complementing her work in Higher Education, Deniz has a professional background and ongoing interest in museum and gallery education. Her work experience includes positions held at the Vienna Secession, documenta12 in Kassel and at the Institute for Art Education, Zurich University of Arts and the Museum Rietberg in Zurich.
As researcher, educator, and writer Deniz strives to decolonise and reappraise the art historical canon, by engaging with authors, art practices and the histories of art beyond Europe and North America, focusing on the potential of diasporic art to express multiple belongings and challenge a discourse of fixed origins.
Deniz was a recipient of the prestigious CREAM (Centre for Research and Education in Arts and Media) research scholarship, which enabled her to complete a PhD in visual arts at the University of Westminster. Her practice-based doctoral research The Art of Un-belonging (2019) set out to investigate and develop artistic strategies that challenge fixed notions of belonging and identity in the context of globalisation and diasporic art. The practice-element of the thesis was showcased as solo exhibition at London Gallery West in 2018 and her video installation Surya Namaz was nominated for the 2019 British Association of Film, Television and Screen Studies Best Practice Awards. In 2020 Deniz was invited by Iniva (Institute of International Visual Arts) to present her research as part of the Stuart Hall Library Research Network’s 2020 `Global Re-Visions’ public programme, coinciding with their 25th anniversary year.
A recent strand of Deniz’ research focuses on decolonising archives and archival practices. She is currently working on the development of a new project called Maker Unknown which will explore gaps and blind spots in the history, categorisation and provenance of non-European artefacts which form part of the Inner London Education Authority’s collection, hosted by the Camberwell College of Arts, University of the Arts London.
Deniz presented her research in different contexts internationally, in the format of conference papers, workshops, screenings, exhibitions, performances, lectures and public art interventions – for instance, as part of InDialogue UK at Nottingham Contemporary, at the ‘Space and Belonging – Narratives of Migration, Materials and Gentrification’ symposium at the UCA Farnham and at the Association for Art History’s 2021 Annual Conference. Her research has been published in various articles, book chapters, online art magazines, and audio-visual supplements to publications in Germany and Switzerland. Following her presentation at the ‘Empire, off-center Workshop’, she was invited to contribute to a special issue peer reviewed journal by the Empires of Memory Research Group at the Max Planck Institute for the Study of Ethnic and Religious Diversity, Göttingen. The publication is available in print and online (Carabelli, G et al. 2020. Sharpening the Haze: Visual Essays on Imperial History and Memory. London: Ubiquity Press).
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