‘With Every Inconceivable Finesse, Excess, and Good Music’: Sex, Affect, and Techno at Snax Club in Berlin

Research output: Chapter in Book/Report/Conference proceedingChapter

Standard

‘With Every Inconceivable Finesse, Excess, and Good Music’ : Sex, Affect, and Techno at Snax Club in Berlin. / Garcia, Luis-Manuel.

Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor. ed. / Neil Gregor; Thomas Irvine. New York : Berghahn Books Inc., 2018. p. 73-96.

Research output: Chapter in Book/Report/Conference proceedingChapter

Harvard

Garcia, L-M 2018, ‘With Every Inconceivable Finesse, Excess, and Good Music’: Sex, Affect, and Techno at Snax Club in Berlin. in N Gregor & T Irvine (eds), Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor. Berghahn Books Inc., New York, pp. 73-96. <https://www.berghahnbooks.com/title/GregorDreams>

APA

Garcia, L-M. (2018). ‘With Every Inconceivable Finesse, Excess, and Good Music’: Sex, Affect, and Techno at Snax Club in Berlin. In N. Gregor, & T. Irvine (Eds.), Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor (pp. 73-96). Berghahn Books Inc.. https://www.berghahnbooks.com/title/GregorDreams

Vancouver

Garcia L-M. ‘With Every Inconceivable Finesse, Excess, and Good Music’: Sex, Affect, and Techno at Snax Club in Berlin. In Gregor N, Irvine T, editors, Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor. New York: Berghahn Books Inc. 2018. p. 73-96

Author

Garcia, Luis-Manuel. / ‘With Every Inconceivable Finesse, Excess, and Good Music’ : Sex, Affect, and Techno at Snax Club in Berlin. Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor. editor / Neil Gregor ; Thomas Irvine. New York : Berghahn Books Inc., 2018. pp. 73-96

Bibtex

@inbook{c92fe84fcfcf46888d137b2cacaaabd4,
title = "{\textquoteleft}With Every Inconceivable Finesse, Excess, and Good Music{\textquoteright}: Sex, Affect, and Techno at Snax Club in Berlin",
abstract = "{"}For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale{"}--",
keywords = "Berlin, Germany, Electronic Dance Music, sexuality, gay men, affect",
author = "Luis-Manuel Garcia",
note = "Book launched December 2018, but publication year (as per colophon) is 2019. Ebook has been requested for UoB library.",
year = "2018",
month = dec,
language = "English",
isbn = "9781789200324",
pages = "73--96",
editor = "Neil Gregor and Thomas Irvine",
booktitle = "Dreams of Germany",
publisher = "Berghahn Books Inc.",
address = "United States",

}

RIS

TY - CHAP

T1 - ‘With Every Inconceivable Finesse, Excess, and Good Music’

T2 - Sex, Affect, and Techno at Snax Club in Berlin

AU - Garcia, Luis-Manuel

N1 - Book launched December 2018, but publication year (as per colophon) is 2019. Ebook has been requested for UoB library.

PY - 2018/12

Y1 - 2018/12

N2 - "For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale"--

AB - "For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale"--

KW - Berlin

KW - Germany

KW - Electronic Dance Music

KW - sexuality

KW - gay men

KW - affect

M3 - Chapter

SN - 9781789200324

SP - 73

EP - 96

BT - Dreams of Germany

A2 - Gregor, Neil

A2 - Irvine, Thomas

PB - Berghahn Books Inc.

CY - New York

ER -