Whose refuge, this house? the estrangement of queers of color in electronic dance music

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Standard

Whose refuge, this house? the estrangement of queers of color in electronic dance music. / Garcia, Luis-Manuel.

The Oxford Handbook of Music and Queerness. ed. / Fred Everett Maus; Sheila Whiteley. Oxford : Oxford University Press, 2018.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Harvard

Garcia, L-M 2018, Whose refuge, this house? the estrangement of queers of color in electronic dance music. in FE Maus & S Whiteley (eds), The Oxford Handbook of Music and Queerness. Oxford University Press, Oxford. https://doi.org/10.1093/oxfordhb/9780199793525.013.49

APA

Garcia, L-M. (2018). Whose refuge, this house? the estrangement of queers of color in electronic dance music. In F. E. Maus, & S. Whiteley (Eds.), The Oxford Handbook of Music and Queerness Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199793525.013.49

Vancouver

Garcia L-M. Whose refuge, this house? the estrangement of queers of color in electronic dance music. In Maus FE, Whiteley S, editors, The Oxford Handbook of Music and Queerness. Oxford: Oxford University Press. 2018 https://doi.org/10.1093/oxfordhb/9780199793525.013.49

Author

Garcia, Luis-Manuel. / Whose refuge, this house? the estrangement of queers of color in electronic dance music. The Oxford Handbook of Music and Queerness. editor / Fred Everett Maus ; Sheila Whiteley. Oxford : Oxford University Press, 2018.

Bibtex

@inbook{056ea40ad3ea4a9c8aa7593cb0b724aa,
title = "Whose refuge, this house?: the estrangement of queers of color in electronic dance music",
abstract = "Electronic dance music (EDM) scenes have passed through several cycles of broad popularity and exposure, often weakening their ties to the queer, Black, Latinx, and transgender urban nocturnal worlds from which they emerged. Given the importance of these originating music scenes to their minoritized participants as spaces of survival, comfort, recognition, and community-building, it is equally important to examine this pattern of estrangement and assess its stakes for the queers of color who have played a pivotal role in this music{\textquoteright}s development. This chapter first seeks to redress the lacunae of conventional EDM historiography by providing a revisionist history that focuses on issues of sexuality, race, and ethnicity. It then traces queer counterhistories into the present, redressing the apparent disappearance of queers of color from present-day scenes and industries.",
keywords = "electronic dance music (EDM), historiography, queer, race, ethnicity, sexuality, music scenes, Black, Latinx",
author = "Luis-Manuel Garcia",
year = "2018",
month = oct
day = "9",
doi = "10.1093/oxfordhb/9780199793525.013.49",
language = "English",
editor = "Maus, {Fred Everett} and Sheila Whiteley",
booktitle = "The Oxford Handbook of Music and Queerness",
publisher = "Oxford University Press",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - Whose refuge, this house?

T2 - the estrangement of queers of color in electronic dance music

AU - Garcia, Luis-Manuel

PY - 2018/10/9

Y1 - 2018/10/9

N2 - Electronic dance music (EDM) scenes have passed through several cycles of broad popularity and exposure, often weakening their ties to the queer, Black, Latinx, and transgender urban nocturnal worlds from which they emerged. Given the importance of these originating music scenes to their minoritized participants as spaces of survival, comfort, recognition, and community-building, it is equally important to examine this pattern of estrangement and assess its stakes for the queers of color who have played a pivotal role in this music’s development. This chapter first seeks to redress the lacunae of conventional EDM historiography by providing a revisionist history that focuses on issues of sexuality, race, and ethnicity. It then traces queer counterhistories into the present, redressing the apparent disappearance of queers of color from present-day scenes and industries.

AB - Electronic dance music (EDM) scenes have passed through several cycles of broad popularity and exposure, often weakening their ties to the queer, Black, Latinx, and transgender urban nocturnal worlds from which they emerged. Given the importance of these originating music scenes to their minoritized participants as spaces of survival, comfort, recognition, and community-building, it is equally important to examine this pattern of estrangement and assess its stakes for the queers of color who have played a pivotal role in this music’s development. This chapter first seeks to redress the lacunae of conventional EDM historiography by providing a revisionist history that focuses on issues of sexuality, race, and ethnicity. It then traces queer counterhistories into the present, redressing the apparent disappearance of queers of color from present-day scenes and industries.

KW - electronic dance music (EDM)

KW - historiography

KW - queer

KW - race

KW - ethnicity

KW - sexuality

KW - music scenes

KW - Black

KW - Latinx

U2 - 10.1093/oxfordhb/9780199793525.013.49

DO - 10.1093/oxfordhb/9780199793525.013.49

M3 - Chapter (peer-reviewed)

BT - The Oxford Handbook of Music and Queerness

A2 - Maus, Fred Everett

A2 - Whiteley, Sheila

PB - Oxford University Press

CY - Oxford

ER -