The other of the other. Refugee artists and black subjects

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Authors

Colleges, School and Institutes

Details

Original languageEnglish
Title of host publicationForced Journeys. Artists in Exile in Britain, c. 1933-45
Publication statusPublished - 1 Jan 2009
Save citation Saved citations (0)

Copy the text from this field...

View graph of relations

By the same authors

The Making of Modern Art through Commercial Art Galleries in 1930s London: the London Gallery (1936 to 1950)

Jutta Vinzent, 13 May 2020, In: Visual Culture in Britain. 21, 2, p. 145-176 32 p.

Research output: Contribution to journal › Article › peer-review

The British Internment of Refugees from Nazi Germany in Kenya during WWII

Jutta Vinzent, 2020, In: Yearbook of the Research Centre for German and Austrian Exile Studies. 20, p. 159-182

Research output: Contribution to journal › Article › peer-review

Motility and Mobility of Exile: Gross Breesen’s Institutional Preparation for Migrating from Nazi Germany to Kenya

Jutta Vinzent, 2020, Vorstufen des Exils / Early Stages of Exile. Andress, R. (ed.). Leiden, Boston: Brill, p. 71-81 (Amsterdamer Beiträge zur neueren Germanistik; no. 91).

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

From Space in Modern Art to a Spatial Art History: Reassessing Constructivism through the Publication "Circle" (1937)

Jutta Vinzent, 2 Dec 2019, Berlin/Boston: De Gruyter. 233 p. (SpatioTemporality: Practices-Concepts-Media/ RaumZeitlichkeit: Praktiken-Konzepte-Medien; vol. 6)

Research output: Book/Report › Book

Afterword: Porosity, Corporeality and the Divine

Jutta Vinzent, 2019, Religious Individualization in Historical Perspective. Berlin, New York: De Gruyter, p. 625-631

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review