Shakespeare/Sense: Contemporary readings in sensory culture

Research output: Book/ReportBook

Standard

Shakespeare/Sense : Contemporary readings in sensory culture. / Smith, Simon (Editor).

1st ed. London : Bloomsbury Arden Shakespeare, 2020. 400 p. (Arden Shakespeare Intersections).

Research output: Book/ReportBook

Harvard

Smith, S (ed.) 2020, Shakespeare/Sense: Contemporary readings in sensory culture. Arden Shakespeare Intersections, 1st edn, Bloomsbury Arden Shakespeare, London. https://doi.org/10.5040/9781474273268

APA

Smith, S. (Ed.) (2020). Shakespeare/Sense: Contemporary readings in sensory culture. (1st ed.) (Arden Shakespeare Intersections). Bloomsbury Arden Shakespeare. https://doi.org/10.5040/9781474273268

Vancouver

Smith S, (ed.). Shakespeare/Sense: Contemporary readings in sensory culture. 1st ed. London: Bloomsbury Arden Shakespeare, 2020. 400 p. (Arden Shakespeare Intersections). https://doi.org/10.5040/9781474273268

Author

Smith, Simon (Editor). / Shakespeare/Sense : Contemporary readings in sensory culture. 1st ed. London : Bloomsbury Arden Shakespeare, 2020. 400 p. (Arden Shakespeare Intersections).

Bibtex

@book{326e8c1faedf4b7083c82ae05c983a46,
title = "Shakespeare/Sense: Contemporary readings in sensory culture",
abstract = "Shakespeare | Sense explores the intersection of Shakespeare and sensory studies, asking what sensation can tell us about early modern drama and poetry, and, conversely, how Shakespeare explores the senses in his literary craft, his fictional worlds, and his stagecraft.15 substantial new essays by leading Shakespeareans working in sensory studies and related disciplines interrogate every aspect of Shakespeare and sense, from the place of hearing, smell, sight, touch, and taste in early modern life, literature, and performance culture, through to the significance of sensation in 21st century engagements with Shakespeare on stage, screen and page.The volume explores and develops current methods for studying Shakespeare and sensation, reflecting upon the opportunities and challenges created by this emergent and influential area of scholarly enquiry. Many chapters develop fresh readings of particular plays and poems, from Hamlet, A Midsummer Night's Dream, King Lear, and The Tempest to less-studied works such as The Comedy of Errors, Venus and Adonis, Troilus and Cressida, and Cymbeline. ",
editor = "Simon Smith",
year = "2020",
month = jun,
day = "11",
doi = "10.5040/9781474273268",
language = "English",
isbn = "9781474273237",
series = "Arden Shakespeare Intersections",
publisher = "Bloomsbury Arden Shakespeare",
edition = "1st",

}

RIS

TY - BOOK

T1 - Shakespeare/Sense

T2 - Contemporary readings in sensory culture

A2 - Smith, Simon

PY - 2020/6/11

Y1 - 2020/6/11

N2 - Shakespeare | Sense explores the intersection of Shakespeare and sensory studies, asking what sensation can tell us about early modern drama and poetry, and, conversely, how Shakespeare explores the senses in his literary craft, his fictional worlds, and his stagecraft.15 substantial new essays by leading Shakespeareans working in sensory studies and related disciplines interrogate every aspect of Shakespeare and sense, from the place of hearing, smell, sight, touch, and taste in early modern life, literature, and performance culture, through to the significance of sensation in 21st century engagements with Shakespeare on stage, screen and page.The volume explores and develops current methods for studying Shakespeare and sensation, reflecting upon the opportunities and challenges created by this emergent and influential area of scholarly enquiry. Many chapters develop fresh readings of particular plays and poems, from Hamlet, A Midsummer Night's Dream, King Lear, and The Tempest to less-studied works such as The Comedy of Errors, Venus and Adonis, Troilus and Cressida, and Cymbeline.

AB - Shakespeare | Sense explores the intersection of Shakespeare and sensory studies, asking what sensation can tell us about early modern drama and poetry, and, conversely, how Shakespeare explores the senses in his literary craft, his fictional worlds, and his stagecraft.15 substantial new essays by leading Shakespeareans working in sensory studies and related disciplines interrogate every aspect of Shakespeare and sense, from the place of hearing, smell, sight, touch, and taste in early modern life, literature, and performance culture, through to the significance of sensation in 21st century engagements with Shakespeare on stage, screen and page.The volume explores and develops current methods for studying Shakespeare and sensation, reflecting upon the opportunities and challenges created by this emergent and influential area of scholarly enquiry. Many chapters develop fresh readings of particular plays and poems, from Hamlet, A Midsummer Night's Dream, King Lear, and The Tempest to less-studied works such as The Comedy of Errors, Venus and Adonis, Troilus and Cressida, and Cymbeline.

U2 - 10.5040/9781474273268

DO - 10.5040/9781474273268

M3 - Book

SN - 9781474273237

T3 - Arden Shakespeare Intersections

BT - Shakespeare/Sense

PB - Bloomsbury Arden Shakespeare

CY - London

ER -