Reading performance, reading gender: early encounters with Beaumont and Fletcher’s The Scornful Lady in print

Research output: Contribution to journalArticle

Authors

Colleges, School and Institutes

Abstract

This essay investigates Francis Beaumont’s seventeenth-century afterlife through
material evidence left by early readers. Taking his immensely popular collaboration
with John Fletcher, The Scornful Lady, as a test case, it traces patterns of shared
interest and attention in different readers’ engagements with the play in quarto. Considering commonplacing habits, readers’ marks, and preparations for performance from a printed text, the article emphasizes fluidity between page- and stage-based engagements with drama in the seventeenth century. It also argues for the perhaps surprising receptiveness of Beaumont and Fletcher’s drama to readers’ reflections on and interrogations of gendered expectations, particularly regarding public female decorum.

Details

Original languageEnglish
Pages (from-to)179-200
JournalEarly Theatre
Volume20
Issue number2
Publication statusPublished - 18 Dec 2017