Abstract
A reconstruction and critical evaluation of Modena's impersonations and performances of Dante ("dantate") in London and Italy between the 1830s and the 1850s, and their political impact.
| Original language | English |
|---|---|
| Title of host publication | Dante and the Nineteenth Century |
| Subtitle of host publication | Oxford University Press |
| Place of Publication | Oxford |
| Pages | 111-137 |
| Number of pages | 26 |
| Publication status | Published - 2012 |
Keywords
- Dante, performance, 19th century, political impact