@inbook{e6503c6713a847ce8a84cd39bac41b07,
title = "Intermedial performance as a public sphere",
abstract = "This chapter argues that intermedial performance has a particular potential to function as a public sphere. The claim hinges on J{\"u}rgen Habermas{\textquoteright}s original definition of public sphere, which emphasises the interdependence between private and public realms. It also relies on the recognition of a mediatized nature of contemporary life. Intermedial performance is understood in the chapter as a type of live artistic practice that explores the performative nature of identities and that self-reflexively incorporates new media. As such it can effectively negotiate between private and public realms in a mediatized culture and society. The chapter uses Dries Verhoeven{\textquoteright}s No Man{\textquoteright}s Land (first conceived in 2008) as a case study.",
author = "Aneta Mancewicz",
year = "2018",
month = jul,
day = "10",
doi = "10.1007/978-3-319-75343-0_3",
language = "English",
isbn = "9783319753423",
series = "Avant-Gardes in Performance",
publisher = "Palgrave Macmillan",
pages = "27--42 ",
editor = "Arfara, {Katia } and {Mancewicz }, {Aneta } and {Remshardt }, {Ralf }",
booktitle = "Intermedial Performance and Politics in the Public Sphere",
}