Inter(acting): Television, performance and synthesis

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Inter(acting) : Television, performance and synthesis. / Walters, James; Fife Donaldson, Lucy.

In: Critical Studies in Television, Vol. 13, No. 3, 01.09.2018, p. 352–369.

Research output: Contribution to journalArticle

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Walters, James ; Fife Donaldson, Lucy. / Inter(acting) : Television, performance and synthesis. In: Critical Studies in Television. 2018 ; Vol. 13, No. 3. pp. 352–369.

Bibtex

@article{3500f77762a14b5685ff0a4dd4257ff5,
title = "Inter(acting): Television, performance and synthesis",
abstract = "In placing synthesis as a central dynamic, this article seeks to identify and value the occasions where the work of the television actor manages a delicate balance between functional requirements of an environment and their potential to establish a more developed set of interrelationships within it, disclosing intricacies of character interiority through expressive interactions with commonplace tasks and spaces. In response to their dual potential for expressivity and significance, we choose to focus on performances that occur within modes of transport, using detailed moments from 24 (Fox,2001–2014), The Sopranos (HBO, 1999–2007), Happy Valley (BBC, 2014–) and Broad City (Comedy Central, 2014–).",
keywords = "Performance, visual style, TV drama, TV comedy, space",
author = "James Walters and {Fife Donaldson}, Lucy",
year = "2018",
month = sep,
day = "1",
doi = "10.1177/1749602018781465",
language = "English",
volume = "13",
pages = "352–369",
journal = "Critical Studies in Television",
issn = "1749-6020",
publisher = "SAGE Publications",
number = "3",

}

RIS

TY - JOUR

T1 - Inter(acting)

T2 - Television, performance and synthesis

AU - Walters, James

AU - Fife Donaldson, Lucy

PY - 2018/9/1

Y1 - 2018/9/1

N2 - In placing synthesis as a central dynamic, this article seeks to identify and value the occasions where the work of the television actor manages a delicate balance between functional requirements of an environment and their potential to establish a more developed set of interrelationships within it, disclosing intricacies of character interiority through expressive interactions with commonplace tasks and spaces. In response to their dual potential for expressivity and significance, we choose to focus on performances that occur within modes of transport, using detailed moments from 24 (Fox,2001–2014), The Sopranos (HBO, 1999–2007), Happy Valley (BBC, 2014–) and Broad City (Comedy Central, 2014–).

AB - In placing synthesis as a central dynamic, this article seeks to identify and value the occasions where the work of the television actor manages a delicate balance between functional requirements of an environment and their potential to establish a more developed set of interrelationships within it, disclosing intricacies of character interiority through expressive interactions with commonplace tasks and spaces. In response to their dual potential for expressivity and significance, we choose to focus on performances that occur within modes of transport, using detailed moments from 24 (Fox,2001–2014), The Sopranos (HBO, 1999–2007), Happy Valley (BBC, 2014–) and Broad City (Comedy Central, 2014–).

KW - Performance

KW - visual style

KW - TV drama

KW - TV comedy

KW - space

U2 - 10.1177/1749602018781465

DO - 10.1177/1749602018781465

M3 - Article

VL - 13

SP - 352

EP - 369

JO - Critical Studies in Television

JF - Critical Studies in Television

SN - 1749-6020

IS - 3

ER -