Abstract
Hegel’s engagements with China have been well worked over and it is a relatively easy matter to evaluate his sources (in relation to the details of his accounts) and to situate his Chinese narrative in relation to his overall project: there is a big picture in which China plays a minor role. I will briefly sketch the state of play in relation to both, by way of initial orientation. I will then focus on two related themes in the service of the theme ‘beauty through each other’s eyes’. I propose to show how Hegel’s account of China is related to two (themselves related) topics: the centrality of God and the importance of art. To state my thesis in advance: Hegel’s theological commitments (especially to the doctrine of the Trinity) determine the role that Chinese thought will play; and the centrality of art in Hegel’s approach to religion means that his failure to consider Chinese art robs him of an opportunity to engage deeply with a culture by whose history he is obviously fascinated.
Original language | English |
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Title of host publication | 美美与共:人类文明的交流与互鉴 |
Place of Publication | Beijing |
Publisher | Religious Culture Press |
Publication status | Accepted/In press - 25 May 2016 |