Comment on Solberg & Jensenius: The temporal dynamics of embodied pleasure in music

Research output: Contribution to journalArticle

Authors

Colleges, School and Institutes

Abstract

In the paper 'Pleasurable and Intersubjective Embodied Experiences of Electronic Dance Music', Ragnhild Torvanger Solberg and Alexander Refsum Jensenius report on a study in which the movements and self-reported affective responses of a group of dancing participants were recorded and related to structural properties of Electronic Dance Music. They observed that, compared with tracks that had a relatively flat dynamic development, tracks which included a 'break-down', 'build-up' and 'drop' of textural layers were associated with greater changes in movement amount and higher ratings of pleasure. Here I comment on their results and methodological approach and use the opportunity to address the continuous pleasure that was treated as a control in this experiment, discussing some reasons why affective responses to music with more evenly distributed dynamic progressions are so often ignored.

Details

Original languageEnglish
Pages (from-to)324-329
JournalEmpirical Musicology Review
Volume11
Issue number3-4
Publication statusPublished - 2016