Challenging the abstract in late 1930s Britain

(ed.) & Jutta Vinzent (ed.), 20 Nov 2017, 1st ed. Berlin: De Gruyter. 249 p. (SpatioTemporality: Practices - Concepts - Media / RaumZeitlichkeit: Praktiken - Konzepte - Medien; vol. 3)

Research output: Book/Report › Book

From lines as geometrical form to lines as meshwork rather than network

Jutta Vinzent, 20 Nov 2017, SpatioTemporalities on the Line: Representations – Practices – Dynamics. Dorsch, S. & Vinzent, J. (eds.). 1st ed. Berlin: De Gruyter, p. 13-20 (SpatioTemporality: Practices - Concepts - Media / RaumZeitlichkeit: Praktiken - Konzepte - Medien; vol. 3).

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

Space and Form in String Sculptures: Naum Gabo, Barbara Hepworth and Henry Moore

Jutta Vinzent, Oct 2016, Das Problem der Form: Interferenzen zwischen moderner Kunst und Kunstwissenschaft. Aurenhammer, H. & Prange, R. (eds.). Berlin: Gebr. Mann Verlag, Vol. 18. p. 289-310 22 p.

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

Challenging the abstract in late 1930s Britain

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By the same authors

The making of modern art through commercial art galleries in 1930s London: the London Gallery (1936 to 1950)

The British Internment of Refugees from Nazi Germany in Kenya during WWII

SpatioTemporalities on the Line: Representations – Practices – Dynamics

From lines as geometrical form to lines as meshwork rather than network

Space and Form in String Sculptures: Naum Gabo, Barbara Hepworth and Henry Moore

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