Scott Wilson
Publications
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A Graveyard of Unwanted Sound (2001) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 10 minutes
Scott Wilson, 8 Apr 2010Research output: Non-textual form › Performance
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A Graveyard of unwanted Sound: Radio France, France Musique, broadcast December 27, 2002
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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A joke on Copyright: Electric Rainbow Coalition Festival, Dartmouth University, Hanover, NH, USA. August 23, 2003
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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A new work for solo cello, ensemble, and electroacoustics: for the Toronto based ensemble Continuum, to be premiered in their 2012-13 season
Scott Wilson, 1 Jan 2013Research output: Non-textual form › Composition
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A work for the Canadian trio Toca Loca: A work for the Canadian trio Toca Loca
Scott Wilson, 1 Jan 2012Research output: Non-textual form › Composition
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Amuse-oreilles: (Eight small pieces for the Hermes Ensemble)
Scott Wilson, 2014Research output: Non-textual form › Composition
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BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system: BEAST: 25 Years of BEAST Part II, CBSO Centre Birmingham. 2.5 minutes
Scott Wilson, 8 Mar 2008Research output: Non-textual form › Performance
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BEASTMulchLib: BEASTmulchLib is a SuperCollider class library designed for use in the creation, processing and presentation of complex multichannel signal chains. Objects include sources, matrix routers and mixers, and sound processors and spatialisers. The latter are based on a simple user-extensible plugin architecture. Many classes have elegant GUI representations
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
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BEASTmulch System: BEASTmulch System is a software tool for the presentation of electroacoustic music over multichannel systems. Designed primarily with a classic 'live diffusion' model in mind, it is nevertheless flexible enough to be adapted for a number of purposes, and can support input and output configurations of arbitrary complexity (i.e. live inputs, soundfiles with varying numbers of channels, etc.)
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
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BassCode
Scott Wilson, Scott Wilson, James Opstad, 10 Feb 2017Research output: Non-textual form › Composition
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Blue: for Bass Clarinet and Electronics
Scott Wilson, 1 Mar 2019Research output: Non-textual form › Composition
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Manitoba, Winnipeg, Canada. 13 minutes
Scott Wilson, 27 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Toronto, Toronto. 13 minutes
Scott Wilson, 30 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Victoria, Victoria, Canada. 13 minutes
Scott Wilson, 21 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Regina, Regina, Canada. 13 minutes
Scott Wilson, 25 Jan 2008Research output: Non-textual form › Performance