Scott Wilson

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Publications

  1. Book › Research
  2. Published

    Introduction to Electronic Music

    Scott Wilson, 1 Jan 2012, Cambridge University Press.

    Research output: Book/Report › Book

  3. Published

    The SuperCollider Book

    Scott Wilson, 1 Jan 2011, MIT Press.

    Research output: Book/Report › Book

  4. Chapter › Research
  5. Published

    Composition with SuperCollider

    Scott Wilson, 1 Jan 2011, The SuperCollider Book. Wilson, S., Cottle, D. and Collins, N. (eds).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  6. Published

    Nuit Bleue, July 15 2005, Birmingham. 11 minutes

    Scott Wilson, 1 Jan 2005, A Joke on copyright.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  7. Published

    Scott Wilson

    Scott Wilson, 1 Jan 2005, SoundVisions.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  8. Published

    Spatialization with SuperCollider

    Scott Wilson, 1 Jan 2011, The SuperCollider Book, Wilson, S., Cottle, D. and Collins, N. (eds).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  9. Paper › Research › Peer-reviewed
  10. Published

    Sonification of High Energy Physics Data Using Live Coding and Web Based Interfaces

    Scott Wilson, 23 Jul 2020.

    Research output: Contribution to conference (unpublished) › Paper › peer-review

  11. Published

    Spatial swarm granulation

    Scott Wilson, 1 Jan 2008.

    Research output: Contribution to conference (unpublished) › Paper › peer-review

  12. Poster › Research › Peer-reviewed
  13. Published

    Stirring Up Pea Stew: A Networked Feedback Structure for Live Coding

    Scott Wilson, 13 Jul 2015. 1 p.

    Research output: Contribution to conference (unpublished) › Poster › peer-review

  14. Software › Research
  15. Published

    BEASTMulchLib: BEASTmulchLib is a SuperCollider class library designed for use in the creation, processing and presentation of complex multichannel signal chains. Objects include sources, matrix routers and mixers, and sound processors and spatialisers. The latter are based on a simple user-extensible plugin architecture. Many classes have elegant GUI representations

    Scott Wilson, 1 Jan 2009

    Research output: Non-textual form › Software

  16. Published

    BEASTmulch System: BEASTmulch System is a software tool for the presentation of electroacoustic music over multichannel systems. Designed primarily with a classic 'live diffusion' model in mind, it is nevertheless flexible enough to be adapted for a number of purposes, and can support input and output configurations of arbitrary complexity (i.e. live inputs, soundfiles with varying numbers of channels, etc.)

    Scott Wilson, 1 Jan 2009

    Research output: Non-textual form › Software

  17. Published

    IPSOS: The Interactive Physics Sonification System

    Scott Wilson, 2018

    Research output: Non-textual form › Software

  18. Published

    Music Software: JavaGran: A web-based pedagogical computer music application. Commissioned by the Alliance for Canadian New Music Projects as part of "Contemporary Showcase 2002

    Scott Wilson, 1 Jan 2004

    Research output: Non-textual form › Software

  19. Published

    SuperColider: Contributions to SuperCollider, an open source object oriented programming language for computer music and DSP

    Scott Wilson, 1 Jan 2004

    Research output: Non-textual form › Software

  20. Digital or Visual Products › Research
  21. Published

    For Violin and Electronics

    Scott Wilson, Jonty Harrison, 2017

    Research output: Non-textual form › Digital or Visual Products

  22. Exhibition › Research
  23. Published

    Kelp Road (installation)

    Scott Wilson, Scott Wilson, 2017

    Research output: Non-textual form › Exhibition

  24. Published

    Presentation of Kelp Road at Sonologues, Vancouver

    Scott Wilson, 22 Nov 2017

    Research output: Non-textual form › Exhibition

  25. Performance › Research
  26. Published

    A Graveyard of Unwanted Sound (2001) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 10 minutes

    Scott Wilson, 8 Apr 2010

    Research output: Non-textual form › Performance

  27. Published

    BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system: The 2008 International Computer Music Conference, Sonic Arts Research Centre, Belfast. 2.5 minutes

    Scott Wilson, 27 Aug 2008

    Research output: Non-textual form › Performance

  28. Published

    BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system: BEAST: 25 Years of BEAST Part II, CBSO Centre Birmingham. 2.5 minutes

    Scott Wilson, 8 Mar 2008

    Research output: Non-textual form › Performance

  29. Published

    Blue

    Scott Wilson & Scott Wilson, 1 Mar 2019

    Research output: Non-textual form › Performance

  30. Published

    Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of British Columbia, Vancouver. 13 minutes

    Scott Wilson, 23 Jan 2008

    Research output: Non-textual form › Performance

  31. Published

    Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Manitoba, Winnipeg, Canada. 13 minutes

    Scott Wilson, 27 Jan 2008

    Research output: Non-textual form › Performance

  32. Published

    Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Victoria, Victoria, Canada. 13 minutes

    Scott Wilson, 21 Jan 2008

    Research output: Non-textual form › Performance

  33. Published

    Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Regina, Regina, Canada. 13 minutes

    Scott Wilson, 25 Jan 2008

    Research output: Non-textual form › Performance

  34. Published

    Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Toronto, Toronto. 13 minutes

    Scott Wilson, 30 Jan 2008

    Research output: Non-textual form › Performance

  35. Published

    Broadcast performance of Vivid by Eva Zöllner on Deutschlandfunk

    Scott Wilson, 18 Jan 2021

    Research output: Non-textual form › Performance

  36. Published

    Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, McGill University, Montreal. 8 minutes

    Scott Wilson, 1 Apr 2008

    Research output: Non-textual form › Performance

  37. Published

    Broken Allegory (2008) for percussion and interactive computer system: Brian Parks, SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes

    Scott Wilson, 10 Apr 2008

    Research output: Non-textual form › Performance

  38. Published

    Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, Cool Drummings Percussion Festival, Toronto. 8 minutes

    Scott Wilson, 4 May 2008

    Research output: Non-textual form › Performance

  39. Published

    Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Manifest, Melbourne, Australia

    Scott Wilson, 4 Sep 2010

    Research output: Non-textual form › Performance

  40. Published

    Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. BEAST: States of Play, Birmingham, UK

    Scott Wilson, 15 Oct 2010

    Research output: Non-textual form › Performance

  41. Published

    Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland

    Scott Wilson, 9 Feb 2011

    Research output: Non-textual form › Performance

  42. Published

    Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Inventionen Festival, Berlin, Germany

    Scott Wilson, 27 Jul 2010

    Research output: Non-textual form › Performance

  43. Published

    Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Electroacoustic Fair, Sound Festival. Aberdeen, Scotland

    Scott Wilson, 13 Nov 2010

    Research output: Non-textual form › Performance

  44. Published

    Böse performance at Spectra Festival in Bogotá

    Scott Wilson, 14 Sep 2018

    Research output: Non-textual form › Performance

  45. Published

    Böse, performance at Festival Klang!, Opera Comedie, Montpellier

    Scott Wilson, 30 May 2018

    Research output: Non-textual form › Performance

  46. Published

    Dark Matter (live coding) at Spectra Festival in Bogotá

    Scott Wilson, 14 Sep 2018

    Research output: Non-textual form › Performance

  47. Published

    Dark Matter Live Coding Performance

    Scott Wilson, 8 May 2018

    Research output: Non-textual form › Performance

  48. Published

    Dark Matter Live Coding Performance at art@CMS Summer Vernissage, CERN

    Scott Wilson, 22 Jun 2016

    Research output: Non-textual form › Performance

  49. Published

    Dark Matter Live Coding performance at the 2016 International Conference on Live Coding, Hamilton, Canada

    Scott Wilson, 13 Oct 2016

    Research output: Non-textual form › Performance

  50. Published

    Dark Matter Performance at the American College, Athens

    Scott Wilson, 10 Jun 2016

    Research output: Non-textual form › Performance

  51. Published

    Dark Matter Performance at the Attenborough Centre

    Scott Wilson, Erik Nystrom, 21 Feb 2018

    Research output: Non-textual form › Performance

  52. Published

    Dark Matter Solo Live Coding Performance at the Poznań Spring Festival

    Scott Wilson & Scott Wilson, 20 Mar 2016

    Research output: Non-textual form › Performance

  53. Published

    Dark Matter live coding performance, Imaginary Landscapes Festival, Hamilton, Canada

    Scott Wilson, 16 Apr 2018

    Research output: Non-textual form › Performance

  54. Published

    Dark Matter performance at the Bangor Music Festival

    Scott Wilson, Erik Nystrom, 3 Feb 2016

    Research output: Non-textual form › Performance

  55. Published

    Dark Matter, live coding performance at Festival Klang! Opera Comedie, Montpellier

    Scott Wilson, 2 Jun 2018

    Research output: Non-textual form › Performance

  56. Published

    Dark matter: the sound of new physics at Techfest Aberdeen

    Scott Wilson, 20 Sep 2018

    Research output: Non-textual form › Performance

  57. Published

    Dark matter live coding performance at MANTIS festival

    Scott Wilson & Erik Nystrom, 28 Sep 2018

    Research output: Non-textual form › Performance

  58. Published

    Dark matter live coding performance in Durham

    Scott Wilson, 29 Sep 2018

    Research output: Non-textual form › Performance

  59. Published

    Distant Soundings: Part of the online concert Collective Resonance in PGVIS 2020

    Scott Wilson, Scott Wilson, Annie Mahtani, 28 Aug 2020

    Research output: Non-textual form › Performance

  60. Published

    Flame (2006): for violin, interactive computer system, and optional interactive video system. 10.5 minutes. Barbara Lüneburg, July 16, 2011, Hilltown New Music Festival, County Westmeath, Ireland

    Scott Wilson, 16 Jul 2011

    Research output: Non-textual form › Performance

  61. Published

    Flame (2006) for violin, interactive computer system, and optional interactive video system: Darragh Morgan, February 27, 2008, University of Hull, Scarborough. 10.5 minutes

    Scott Wilson, 27 Feb 2008

    Research output: Non-textual form › Performance

  62. Published

    Fluxion (2006) for quarter-tone alto flute, piano, and interactive computer system: rarescale ensemble, London. 10.5 minutes

    Scott Wilson, 13 Sep 2008

    Research output: Non-textual form › Performance

  63. Published

    Gotlandic Miscellanea: Gasp, Boston, USA. 8 minutes

    Scott Wilson, 11 Apr 2010

    Research output: Non-textual form › Performance

  64. Published

    Gotlandic Miscellanea (2008) electroacoustics: Old Fortress, Corfu. 8 minutes

    Scott Wilson, 29 Jun 2008

    Research output: Non-textual form › Performance

  65. Published

    Gotlandic Miscellanea (2008) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 8 minutes

    Scott Wilson, 8 Apr 2010

    Research output: Non-textual form › Performance

  66. Published

    Gotlandic Miscellanea (2008) electroacoustics: SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes

    Scott Wilson, 10 Apr 2008

    Research output: Non-textual form › Performance

  67. Published

    Gotlandic Miscellanea (2008) electroacoustics: Integra Festival, Birmingham Conservatoire, Birmingham. 8 minutes

    Scott Wilson, 6 Jun 2008

    Research output: Non-textual form › Performance

  68. Published

    Gotlandic Miscellanea (2008) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 9 minutes

    Scott Wilson, 9 Feb 2011

    Research output: Non-textual form › Performance

  69. Published

    Gotlandic Miscellanea (2008) electroacoustics: The Late Music Festival, National Centre for Early Music, York. 8 minutes

    Scott Wilson, 8 Jun 2008

    Research output: Non-textual form › Performance

  70. Published

    Gotlandic Miscellanea performance at Spectra Festival in Bogotá

    Scott Wilson, 14 Sep 2018

    Research output: Non-textual form › Performance

  71. Published

    Gotlandic Miscellanea, Performance at Festival Klang!, Opera Comedie, Montpellier

    Scott Wilson, 1 Jun 2018

    Research output: Non-textual form › Performance

  72. Published

    Improvisation with Xenia Pestova. Piano and interactive electroacoustics: Ca. 15 minutes. This involved work in progress for a new piece to be premiered in 2011. L’envers, Montreal, Canada

    Scott Wilson, 9 Apr 2010

    Research output: Non-textual form › Performance

  73. Published

    Improvisations at the Spectra Festival in Bogotá, Colombia

    Scott Wilson, 8 Sep 2018

    Research output: Non-textual form › Performance

  74. Published

    Kelp Road performance at CCRMA, Stanford University

    Scott Wilson, 19 Apr 2018

    Research output: Non-textual form › Performance

  75. Published

    Kelp Road performance at Spectra Festival in Bogotá

    Scott Wilson, 14 Sep 2018

    Research output: Non-textual form › Performance

  76. Published

    Kelp Road, performance at Festival Klang!, Opera Comedie, Montpellier

    Scott Wilson, 3 Jun 2018

    Research output: Non-textual form › Performance

  77. Published

    Live Stream online performance of Dark Matter at NIME 2020

    Scott Wilson, Erik Nystrom, 25 Jul 2020

    Research output: Non-textual form › Performance

  78. Published

    Mullmusik: Tour 2001

    Scott Wilson, 1 Jan 2004

    Research output: Non-textual form › Performance

  79. Published

    Music / Sound Design for Liz Tomlin’s Landfill (2008/9) for multichannel sound system: Approximately 40 minutes of audio material. 12-14 February 2009

    Scott Wilson, 12 Feb 2009

    Research output: Non-textual form › Performance

  80. Published

    Müllmusik (2000-1) electroacoustic: Oscillations Festival, Halifax, Canada. ca. 65 minutes

    Scott Wilson, 3 Feb 2008

    Research output: Non-textual form › Performance

  81. Published

    Müllmusik (2000-1) electroacoustic with video: The Tank, New York City, USA. ca. 20 minutes for this performance

    Scott Wilson, 8 Apr 2009

    Research output: Non-textual form › Performance

  82. Published

    Müllmusik (2000-1) electroacoustic with video: Sound Festival, Aberdeen, Scotland. ca. 60 minutes for this performance

    Scott Wilson, 15 Nov 2008

    Research output: Non-textual form › Performance

  83. Published

    Müllmusik (2000-1) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 15 minutes

    Scott Wilson, 9 Feb 2011

    Research output: Non-textual form › Performance

  84. Published

    Müllmusik Performance at Spectra Festival Bogotá: 3. The drab debate the dreary

    Scott Wilson, 14 Sep 2018

    Research output: Non-textual form › Performance

  85. Published

    On the Impossibility of Reflection (2011): for piano and electroacoustics, 12 minutes. October 21, 2011. Barber Institute, Birmingham

    Scott Wilson, 21 Oct 2011

    Research output: Non-textual form › Performance

  86. Published

    On the Impossibility of Reflection (2011): for piano and electroacoustics, 12 minutes. September 29, 2011. Bangor, Wales

    Scott Wilson, 29 Sep 2011

    Research output: Non-textual form › Performance

  87. Published

    On the Impossibility of Reflection (2011) for piano and electroacoustics: Ottawa, Canada. 12 minutes

    Scott Wilson, 25 Feb 2011

    Research output: Non-textual form › Performance

  88. Published

    Performance at Expozice Nové Hudby 2015, hosted by the Brno Philharmonic

    Scott Wilson & Scott Wilson, 12 Jun 2015

    Research output: Non-textual form › Performance

  89. Published

    Performance at the International Conference for Live Coding

    Scott Wilson, Scott Wilson, 13 Jul 2015

    Research output: Non-textual form › Performance

  90. Published

    Performance at the Musica Electronica Nova Festival, Poznań, Poland

    Scott Wilson, Scott Wilson, Annie Mahtani & Jonty Harrison, 23 May 2015

    Research output: Non-textual form › Performance

  91. Published

    Performance of Alvin Lucier's I am sitting in a room at Festival Klang!, Montpellier

    Scott Wilson, 31 May 2018

    Research output: Non-textual form › Performance

  92. Published

    Performance of Dark Matter (orchestra version) with Esprit Orchestra

    Scott Wilson, 15 Apr 2018

    Research output: Non-textual form › Performance

  93. Published

    Performance of Dark Matter (pre-recorded) at NIME 2020

    Scott Wilson, Erik Nystrom, 24 Jul 2020

    Research output: Non-textual form › Performance

  94. Published

    Performance of Dark Matter and NotSoMassRadioCoding at Falmouth University

    Scott Wilson, Erik Nystrom, 17 Nov 2017

    Research output: Non-textual form › Performance

  95. Published

    Performance of I will go with Yogi (Qawwali Palimpsestic)

    Scott Wilson, 14 Feb 2016

    Research output: Non-textual form › Performance

  96. Published

    Performance of I will go with the Yogi (Qawwali Palimpsestic)

    Scott Wilson, 21 Feb 2016

    Research output: Non-textual form › Performance

  97. Published

    Performance of I will go with the Yogi (Qawwali Palimpsestic) and Qawwali Shrine live coding improv at New Art Exchange Nottingham

    Scott Wilson, 22 Aug 2017

    Research output: Non-textual form › Performance

  98. Published

    Performance of Kelp Road Concert Piece

    Scott Wilson, 19 Mar 2017

    Research output: Non-textual form › Performance

  99. Published

    Performance of Music for Manic Machines at BEAST FEaST 2018

    Scott Wilson, 27 Apr 2018

    Research output: Non-textual form › Performance

  100. Published

    Performance of Qawwali Shrine live coding improv

    Scott Wilson, 14 Sep 2017

    Research output: Non-textual form › Performance

  101. Published

    Performance of Vivid by Eva Zöllner at BEAST FEaST 2020

    Scott Wilson, 13 May 2020

    Research output: Non-textual form › Performance

  102. Published

    Performance of Vivid by Eva Zöllner in Mexico City

    Scott Wilson, 27 Nov 2019

    Research output: Non-textual form › Performance

  103. Published

    Performance of Vivid by Eva Zöllner in Morelia, Mexico

    Scott Wilson, 29 Nov 2019

    Research output: Non-textual form › Performance

  104. Published

    Performance of Vivid by Eva Zöllner in Mérida, Mexico

    Scott Wilson, 4 Dec 2019

    Research output: Non-textual form › Performance

  105. Published

    Performance of Vivid by Eva Zöllner in Querétaro, Mexico

    Scott Wilson, 26 Nov 2019

    Research output: Non-textual form › Performance

  106. Published

    Performance of Vivid by Eva Zöllner in an Online Concert broadcast from Bonn, Germany: Eva Zöllner »In sechs Richtungen« – Bonn, 23.05.2020

    Scott Wilson, 23 May 2020

    Research output: Non-textual form › Performance

  107. Published

    Performance of a mezza voce by the Bozzini Quartet

    Scott Wilson, 13 Mar 2019

    Research output: Non-textual form › Performance

  108. Published

    Performance of various works at NoiseLab in Bristol

    Scott Wilson, 15 Nov 2017

    Research output: Non-textual form › Performance

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