Scott Wilson
Publications
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A Graveyard of Unwanted Sound (2001) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 10 minutes
Scott Wilson, 8 Apr 2010Research output: Non-textual form › Performance
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A Graveyard of unwanted Sound: Radio France, France Musique, broadcast December 27, 2002
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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A joke on Copyright: Electric Rainbow Coalition Festival, Dartmouth University, Hanover, NH, USA. August 23, 2003
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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A new work for solo cello, ensemble, and electroacoustics: for the Toronto based ensemble Continuum, to be premiered in their 2012-13 season
Scott Wilson, 1 Jan 2013Research output: Non-textual form › Composition
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A work for the Canadian trio Toca Loca: A work for the Canadian trio Toca Loca
Scott Wilson, 1 Jan 2012Research output: Non-textual form › Composition
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Amuse-oreilles: (Eight small pieces for the Hermes Ensemble)
Scott Wilson, 2014Research output: Non-textual form › Composition
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BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system: BEAST: 25 Years of BEAST Part II, CBSO Centre Birmingham. 2.5 minutes
Scott Wilson, 8 Mar 2008Research output: Non-textual form › Performance
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BEASTMulchLib: BEASTmulchLib is a SuperCollider class library designed for use in the creation, processing and presentation of complex multichannel signal chains. Objects include sources, matrix routers and mixers, and sound processors and spatialisers. The latter are based on a simple user-extensible plugin architecture. Many classes have elegant GUI representations
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
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BEASTmulch System: BEASTmulch System is a software tool for the presentation of electroacoustic music over multichannel systems. Designed primarily with a classic 'live diffusion' model in mind, it is nevertheless flexible enough to be adapted for a number of purposes, and can support input and output configurations of arbitrary complexity (i.e. live inputs, soundfiles with varying numbers of channels, etc.)
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
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BassCode
Scott Wilson, Scott Wilson, James Opstad, 10 Feb 2017Research output: Non-textual form › Composition
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Blue: for Bass Clarinet and Electronics
Scott Wilson, 1 Mar 2019Research output: Non-textual form › Composition
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Manitoba, Winnipeg, Canada. 13 minutes
Scott Wilson, 27 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of British Columbia, Vancouver. 13 minutes
Scott Wilson, 23 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Toronto, Toronto. 13 minutes
Scott Wilson, 30 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Victoria, Victoria, Canada. 13 minutes
Scott Wilson, 21 Jan 2008Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Regina, Regina, Canada. 13 minutes
Scott Wilson, 25 Jan 2008Research output: Non-textual form › Performance
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Broadcast performance of Vivid by Eva Zöllner on Deutschlandfunk
Scott Wilson, 18 Jan 2021Research output: Non-textual form › Performance
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Broken Allegory: for percussion and interactive computer system. 8 minutes
Scott Wilson, 1 Jan 2008Research output: Non-textual form › Composition
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Broken Allegory (2008) for percussion and interactive computer system: Brian Parks, SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes
Scott Wilson, 10 Apr 2008Research output: Non-textual form › Performance
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Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, Cool Drummings Percussion Festival, Toronto. 8 minutes
Scott Wilson, 4 May 2008Research output: Non-textual form › Performance
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Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, McGill University, Montreal. 8 minutes
Scott Wilson, 1 Apr 2008Research output: Non-textual form › Performance
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Böse: for large-scale multichannel electroacoustics. 9 minutes
Scott Wilson, 1 Jan 2010Research output: Non-textual form › Composition
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. BEAST: States of Play, Birmingham, UK
Scott Wilson, 15 Oct 2010Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Manifest, Melbourne, Australia
Scott Wilson, 4 Sep 2010Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Electroacoustic Fair, Sound Festival. Aberdeen, Scotland
Scott Wilson, 13 Nov 2010Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Inventionen Festival, Berlin, Germany
Scott Wilson, 27 Jul 2010Research output: Non-textual form › Performance
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Böse performance at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Böse, performance at Festival Klang!, Opera Comedie, Montpellier
Scott Wilson, 30 May 2018Research output: Non-textual form › Performance
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Clouds pass over it: Members of L'Orchestre de la Francophonie Canadienne, National Arts Centre Young Composers Porgramme, Ottawa, Canada. July 5, 2003. 9 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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Composition with SuperCollider
Scott Wilson, 1 Jan 2011, The SuperCollider Book. Wilson, S., Cottle, D. and Collins, N. (eds).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Dark Matter: for large orchestra, electronics and video
Scott Wilson, 15 Apr 2018Research output: Non-textual form › Composition
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Dark Matter (live coding) at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Dark Matter (orchestra version)
Scott Wilson, 15 Apr 2018Research output: Non-textual form › Composition
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Dark Matter Live Coding Performance
Scott Wilson, 8 May 2018Research output: Non-textual form › Performance
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Dark Matter Live Coding Performance at art@CMS Summer Vernissage, CERN
Scott Wilson, 22 Jun 2016Research output: Non-textual form › Performance
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Dark Matter Live Coding performance at the 2016 International Conference on Live Coding, Hamilton, Canada
Scott Wilson, 13 Oct 2016Research output: Non-textual form › Performance
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Dark Matter Performance at the American College, Athens
Scott Wilson, 10 Jun 2016Research output: Non-textual form › Performance
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Dark Matter Performance at the Attenborough Centre
Scott Wilson, Erik Nystrom, 21 Feb 2018Research output: Non-textual form › Performance
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Dark Matter Solo Live Coding Performance at the Poznań Spring Festival
Scott Wilson & Scott Wilson, 20 Mar 2016Research output: Non-textual form › Performance
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Dark Matter live coding performance, Imaginary Landscapes Festival, Hamilton, Canada
Scott Wilson, 16 Apr 2018Research output: Non-textual form › Performance
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Dark Matter performance at the Bangor Music Festival
Scott Wilson, Erik Nystrom, 3 Feb 2016Research output: Non-textual form › Performance
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Dark Matter, live coding performance at Festival Klang! Opera Comedie, Montpellier
Scott Wilson, 2 Jun 2018Research output: Non-textual form › Performance
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Dark matter: the sound of new physics at Techfest Aberdeen
Scott Wilson, 20 Sep 2018Research output: Non-textual form › Performance
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Dark matter live coding performance at MANTIS festival
Scott Wilson & Erik Nystrom, 28 Sep 2018Research output: Non-textual form › Performance
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Dark matter live coding performance in Durham
Scott Wilson, 29 Sep 2018Research output: Non-textual form › Performance
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Do not exceed recommended dosage: for Rick Sacks an Arraymusic
Scott Wilson, 2016Research output: Non-textual form › Composition
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Fluxion (2006) for quarter-tone alto flute, piano, and interactive computer system: rarescale ensemble, London. 10.5 minutes
Scott Wilson, 13 Sep 2008Research output: Non-textual form › Performance
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For Violin and Electronics
Scott Wilson, Jonty Harrison, 2017Research output: Non-textual form › Digital or Visual Products
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For he has strengthened the bars of your gates
Scott Wilson, 2012Research output: Non-textual form › Composition
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Four Names of Beauty: Premiered by the Esprit Orchestra, May 26, 2005, The St. Lawrence Centre for the Arts, Toronto, Canada. 16 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
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Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems
Scott Wilson, 3 Apr 2014, In: Computer Music Journal. 38, 1, p. 54-64 10 p.Research output: Contribution to journal › Article › peer-review
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From the Diaries of William Lyon Mackenzie King
Scott Wilson, 4 Dec 2017Research output: Non-textual form › Composition
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Gotlandic Miscellanea: for large-scale multichannel electroacoustic system. 8 minutes
Scott Wilson, 1 Jan 2008Research output: Non-textual form › Composition
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Gotlandic Miscellanea: on Deep Wireless 6. (CD recording) New Adventures in Sound Art. Toronto: Independent. (2009). 8 minutes
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Composition
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Gotlandic Miscellanea: Gasp, Boston, USA. 8 minutes
Scott Wilson, 11 Apr 2010Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: Integra Festival, Birmingham Conservatoire, Birmingham. 8 minutes
Scott Wilson, 6 Jun 2008Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 8 minutes
Scott Wilson, 8 Apr 2010Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 9 minutes
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: The Late Music Festival, National Centre for Early Music, York. 8 minutes
Scott Wilson, 8 Jun 2008Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes
Scott Wilson, 10 Apr 2008Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: Old Fortress, Corfu. 8 minutes
Scott Wilson, 29 Jun 2008Research output: Non-textual form › Performance
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Gotlandic Miscellanea performance at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Gotlandic Miscellanea, Performance at Festival Klang!, Opera Comedie, Montpellier
Scott Wilson, 1 Jun 2018Research output: Non-textual form › Performance
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I will go with the Yogi (Qawwali Palimpsestic)
Scott Wilson, 29 May 2015Research output: Non-textual form › Composition
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IPSOS: The Interactive Physics Sonification System
Scott Wilson, 2018Research output: Non-textual form › Software
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Improvisations at the Spectra Festival in Bogotá, Colombia
Scott Wilson, 8 Sep 2018Research output: Non-textual form › Performance
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Introduction to Electronic Music
Scott Wilson, 1 Jan 2012, Cambridge University Press.Research output: Book/Report › Book
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Invocation: ZKMusikFest, June 7, 2002, The Center for Art and Media, Karlsruhe, Germany. 11 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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Kelp Road (installation)
Scott Wilson, Scott Wilson, 2017Research output: Non-textual form › Exhibition
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Kelp Road performance at CCRMA, Stanford University
Scott Wilson, 19 Apr 2018Research output: Non-textual form › Performance
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Kelp Road performance at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Kelp Road, performance at Festival Klang!, Opera Comedie, Montpellier
Scott Wilson, 3 Jun 2018Research output: Non-textual form › Performance
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L'Estate: Performed by Ensemble Symposium, April 21, 2005, Vancouver East Cultural Centre, Vancouver, Canada. 7 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
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Live Stream online performance of Dark Matter at NIME 2020
Scott Wilson, Erik Nystrom, 25 Jul 2020Research output: Non-textual form › Performance
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Media Bites: Pavillion de Bendôme, June 22, 2005. Aix en Provence, France. 7 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
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Mullmusik: Initial performances on European tour 2001 - Ghent, Cork, Duisburg, Zurich, Dortmend, Karlsruhe. Issued on CD 2004
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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Mullmusik: Tour of Europe 2001. Sound Installation. Open Ears Festival, May 7-11, 2003. Kitchener, Ontario, Canada
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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Music / Sound Design: for Liz Tomlin’s Landfill (2008/9) for multichannel sound system. Approximately 40 minutes of audio material
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Composition