Scott Wilson
Publications
- 2004
- Published
A Graveyard of unwanted Sound: Radio France, France Musique, broadcast December 27, 2002
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
A joke on Copyright: Electric Rainbow Coalition Festival, Dartmouth University, Hanover, NH, USA. August 23, 2003
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
Clouds pass over it: Members of L'Orchestre de la Francophonie Canadienne, National Arts Centre Young Composers Porgramme, Ottawa, Canada. July 5, 2003. 9 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
Invocation: ZKMusikFest, June 7, 2002, The Center for Art and Media, Karlsruhe, Germany. 11 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
Mullmusik: Tour of Europe 2001. Sound Installation. Open Ears Festival, May 7-11, 2003. Kitchener, Ontario, Canada
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
Mullmusik: Initial performances on European tour 2001 - Ghent, Cork, Duisburg, Zurich, Dortmend, Karlsruhe. Issued on CD 2004
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
- Published
- Published
New Music, Why Brother?
Scott Wilson, 1 Jan 2004, In: M(a)Glzone. p. 1 1 p.Research output: Contribution to journal › Article
- Published
Possibly Beautiful: Wesleyan World Music Weekend: 40 Years of Music at Wesleyan. Bebruary 21, 2003, Middletown, CT, USA. 9 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
Shuttle Dearms: Music theatre for two composer/performers, and two shadoe puppeteers. February 20-21, Toronto, Canada
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
SuperColider: Contributions to SuperCollider, an open source object oriented programming language for computer music and DSP
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Software
- Published
Tadayo: Ryuko Mizutani and Gamelan Lambangsari, December 5, 2003. Tokyo, Japan. 14 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
- Published
Thinking about Judy: Sound Installation - Musicworks Fundraiser, The Music Gallery, May 2 2002, Toronto, Canada
Scott Wilson, 1 Jan 2004Research output: Other contribution
- 2005
- Published
- Published
- Published
Four Names of Beauty: Premiered by the Esprit Orchestra, May 26, 2005, The St. Lawrence Centre for the Arts, Toronto, Canada. 16 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
- Published
L'Estate: Performed by Ensemble Symposium, April 21, 2005, Vancouver East Cultural Centre, Vancouver, Canada. 7 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
- Published
Media Bites: Pavillion de Bendôme, June 22, 2005. Aix en Provence, France. 7 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
- Published
Netori: Premiered by the Array Music ensemble, October 14, 2004. The Glen Gould Studio, CBC Radio, Toronto, Canada. 6 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
- Published
Nuit Bleue, July 15 2005, Birmingham. 11 minutes
Scott Wilson, 1 Jan 2005, A Joke on copyright.Research output: Chapter in Book/Report/Conference proceeding › Chapter
- Published
Scott Wilson
Scott Wilson, 1 Jan 2005, SoundVisions.Research output: Chapter in Book/Report/Conference proceeding › Chapter
- 2006
- Published
- 2007
- Published
- 2008
- Published
Broken Allegory: for percussion and interactive computer system. 8 minutes
Scott Wilson, 1 Jan 2008Research output: Non-textual form › Composition
- Published
Gotlandic Miscellanea: for large-scale multichannel electroacoustic system. 8 minutes
Scott Wilson, 1 Jan 2008Research output: Non-textual form › Composition
- Published
Spatial swarm granulation
Scott Wilson, 1 Jan 2008.Research output: Contribution to conference (unpublished) › Paper › peer-review
- Published
Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Victoria, Victoria, Canada. 13 minutes
Scott Wilson, 21 Jan 2008Research output: Non-textual form › Performance
- Published
Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of British Columbia, Vancouver. 13 minutes
Scott Wilson, 23 Jan 2008Research output: Non-textual form › Performance
- Published
Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Regina, Regina, Canada. 13 minutes
Scott Wilson, 25 Jan 2008Research output: Non-textual form › Performance
- Published
Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Manitoba, Winnipeg, Canada. 13 minutes
Scott Wilson, 27 Jan 2008Research output: Non-textual form › Performance
- Published
Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Toronto, Toronto. 13 minutes
Scott Wilson, 30 Jan 2008Research output: Non-textual form › Performance
- Published
Müllmusik (2000-1) electroacoustic: Oscillations Festival, Halifax, Canada. ca. 65 minutes
Scott Wilson, 3 Feb 2008Research output: Non-textual form › Performance
- Published
- Published
BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system: BEAST: 25 Years of BEAST Part II, CBSO Centre Birmingham. 2.5 minutes
Scott Wilson, 8 Mar 2008Research output: Non-textual form › Performance
- Published
Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, McGill University, Montreal. 8 minutes
Scott Wilson, 1 Apr 2008Research output: Non-textual form › Performance
- Published
Broken Allegory (2008) for percussion and interactive computer system: Brian Parks, SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes
Scott Wilson, 10 Apr 2008Research output: Non-textual form › Performance
- Published
Gotlandic Miscellanea (2008) electroacoustics: SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes
Scott Wilson, 10 Apr 2008Research output: Non-textual form › Performance
- Published
Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, Cool Drummings Percussion Festival, Toronto. 8 minutes
Scott Wilson, 4 May 2008Research output: Non-textual form › Performance
- Published
Gotlandic Miscellanea (2008) electroacoustics: Integra Festival, Birmingham Conservatoire, Birmingham. 8 minutes
Scott Wilson, 6 Jun 2008Research output: Non-textual form › Performance
- Published
Gotlandic Miscellanea (2008) electroacoustics: The Late Music Festival, National Centre for Early Music, York. 8 minutes
Scott Wilson, 8 Jun 2008Research output: Non-textual form › Performance
- Published
Gotlandic Miscellanea (2008) electroacoustics: Old Fortress, Corfu. 8 minutes
Scott Wilson, 29 Jun 2008Research output: Non-textual form › Performance
- Published
- Published
Fluxion (2006) for quarter-tone alto flute, piano, and interactive computer system: rarescale ensemble, London. 10.5 minutes
Scott Wilson, 13 Sep 2008Research output: Non-textual form › Performance
- Published
Photo Shopped Music (2000-1) electroacoustic: BEAST, Hello Digital Festival, Millennium Point, Birmingham. 14 minutes
Scott Wilson, 23 Oct 2008Research output: Non-textual form › Performance
- Published
Müllmusik (2000-1) electroacoustic with video: Sound Festival, Aberdeen, Scotland. ca. 60 minutes for this performance
Scott Wilson, 15 Nov 2008Research output: Non-textual form › Performance
- 2009
- Published
BEASTMulchLib: BEASTmulchLib is a SuperCollider class library designed for use in the creation, processing and presentation of complex multichannel signal chains. Objects include sources, matrix routers and mixers, and sound processors and spatialisers. The latter are based on a simple user-extensible plugin architecture. Many classes have elegant GUI representations
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
- Published
BEASTmulch System: BEASTmulch System is a software tool for the presentation of electroacoustic music over multichannel systems. Designed primarily with a classic 'live diffusion' model in mind, it is nevertheless flexible enough to be adapted for a number of purposes, and can support input and output configurations of arbitrary complexity (i.e. live inputs, soundfiles with varying numbers of channels, etc.)
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
- Published
Gotlandic Miscellanea: on Deep Wireless 6. (CD recording) New Adventures in Sound Art. Toronto: Independent. (2009). 8 minutes
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Composition
- Published
Music / Sound Design: for Liz Tomlin’s Landfill (2008/9) for multichannel sound system. Approximately 40 minutes of audio material
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Composition
- Published
Music / Sound Design for Liz Tomlin’s Landfill (2008/9) for multichannel sound system: Approximately 40 minutes of audio material. 12-14 February 2009
Scott Wilson, 12 Feb 2009Research output: Non-textual form › Performance
- Published
Müllmusik (2000-1) electroacoustic with video: The Tank, New York City, USA. ca. 20 minutes for this performance
Scott Wilson, 8 Apr 2009Research output: Non-textual form › Performance
- 2010
- Published
Böse: for large-scale multichannel electroacoustics. 9 minutes
Scott Wilson, 1 Jan 2010Research output: Non-textual form › Composition
- Published
Sound Space: New approaches to multichannel music and audio
Jonty Harrison & Scott Wilson, 1 Jan 2010, In: Organised Sound. 15, 3, p. 183-184 2 p.Research output: Contribution to journal › Editorial
- Published
Vortically: for quarter-tone bass flute and live multichannel electroacoustics. 12 minutes
Scott Wilson, 1 Jan 2010Research output: Non-textual form › Composition
- Published
Vortically: for quarter-tone bass flute and live multichannel electroacoustics. 12 minutes. January 16, 2010. BEAST Plus, Birmingham, UK
Scott Wilson, 16 Jan 2010Research output: Non-textual form › Performance
- Published
Squares Circles Labyrinths: March 18-19, 2010. Birmingham UK. I conducted Orchestra IV in Stockhausen’s Carré
Scott Wilson, 18 Mar 2010Research output: Non-textual form › Performance
- Published
A Graveyard of Unwanted Sound (2001) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 10 minutes
Scott Wilson, 8 Apr 2010Research output: Non-textual form › Performance
- Published
Gotlandic Miscellanea (2008) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 8 minutes
Scott Wilson, 8 Apr 2010Research output: Non-textual form › Performance
- Published
- Published
Gotlandic Miscellanea: Gasp, Boston, USA. 8 minutes
Scott Wilson, 11 Apr 2010Research output: Non-textual form › Performance
- Published
Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Inventionen Festival, Berlin, Germany
Scott Wilson, 27 Jul 2010Research output: Non-textual form › Performance
- Published
Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Manifest, Melbourne, Australia
Scott Wilson, 4 Sep 2010Research output: Non-textual form › Performance
- Published
Vortically (2010): for quarter-tone bass flute and live multichannel electroacoustics. 12 minutes. Rarescale concert series, London, UK
Scott Wilson, 18 Sep 2010Research output: Non-textual form › Performance
- Published
Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. BEAST: States of Play, Birmingham, UK
Scott Wilson, 15 Oct 2010Research output: Non-textual form › Performance
- Published
Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Electroacoustic Fair, Sound Festival. Aberdeen, Scotland
Scott Wilson, 13 Nov 2010Research output: Non-textual form › Performance
- Published
Rethinking the BEAST: Recent developments in multichannel composition at Birmingham ElectroAcoustic Sound Theatre
Scott Wilson & Jonty Harrison, 1 Dec 2010, In: Organised Sound. 15, 3, p. 239-250 12 p.Research output: Contribution to journal › Article › peer-review
- 2011
- Published
- Published
Composition with SuperCollider
Scott Wilson, 1 Jan 2011, The SuperCollider Book. Wilson, S., Cottle, D. and Collins, N. (eds).Research output: Chapter in Book/Report/Conference proceeding › Chapter
- Published
On the Impossibility of Reflection (2011) for piano and live electroacoustics. 12 minutes: for piano live electroacoustics. 12 minutes
Scott Wilson, 1 Jan 2011Research output: Non-textual form › Composition
- Published
Spatialization with SuperCollider
Scott Wilson, 1 Jan 2011, The SuperCollider Book, Wilson, S., Cottle, D. and Collins, N. (eds).Research output: Chapter in Book/Report/Conference proceeding › Chapter
- Published
- Published
Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
- Published
Gotlandic Miscellanea (2008) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 9 minutes
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
- Published
Müllmusik (2000-1) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 15 minutes
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
- Published
On the Impossibility of Reflection (2011) for piano and electroacoustics: Ottawa, Canada. 12 minutes
Scott Wilson, 25 Feb 2011Research output: Non-textual form › Performance
- Published
- Published
- Published
On the Impossibility of Reflection (2011): for piano and electroacoustics, 12 minutes. September 29, 2011. Bangor, Wales
Scott Wilson, 29 Sep 2011Research output: Non-textual form › Performance
- Published
On the Impossibility of Reflection (2011): for piano and electroacoustics, 12 minutes. October 21, 2011. Barber Institute, Birmingham
Scott Wilson, 21 Oct 2011Research output: Non-textual form › Performance
- 2012
- Published
For he has strengthened the bars of your gates
Scott Wilson, 2012Research output: Non-textual form › Composition
- Published
- Published
A work for the Canadian trio Toca Loca: A work for the Canadian trio Toca Loca
Scott Wilson, 1 Jan 2012Research output: Non-textual form › Composition
- Published
- Published
Introduction to Electronic Music
Scott Wilson, 1 Jan 2012, Cambridge University Press.Research output: Book/Report › Book
- 2013
- Published
- Published
- Published
- Published
- Published
A new work for solo cello, ensemble, and electroacoustics: for the Toronto based ensemble Continuum, to be premiered in their 2012-13 season
Scott Wilson, 1 Jan 2013Research output: Non-textual form › Composition
- 2014
- Published
Amuse-oreilles: (Eight small pieces for the Hermes Ensemble)
Scott Wilson, 2014Research output: Non-textual form › Composition
- Published
- Published
- Published
- Published
Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems
Scott Wilson, 3 Apr 2014, In: Computer Music Journal. 38, 1, p. 54-64 10 p.Research output: Contribution to journal › Article › peer-review
- 2015
- Published
- Published
- Published
- Published
I will go with the Yogi (Qawwali Palimpsestic)
Scott Wilson, 29 May 2015Research output: Non-textual form › Composition
- Published
Performance at Expozice Nové Hudby 2015, hosted by the Brno Philharmonic
Scott Wilson & Scott Wilson, 12 Jun 2015Research output: Non-textual form › Performance