Scott Wilson
Publications
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Sound Space: New approaches to multichannel music and audio
Jonty Harrison & Scott Wilson, 1 Jan 2010, In: Organised Sound. 15, 3, p. 183-184 2 p.Research output: Contribution to journal › Editorial
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For Violin and Electronics
Scott Wilson, Jonty Harrison, 2017Research output: Non-textual form › Digital or Visual Products
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Kelp Road (installation)
Scott Wilson, Scott Wilson, 2017Research output: Non-textual form › Exhibition
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Kelp Road performance at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Dark matter live coding performance in Durham
Scott Wilson, 29 Sep 2018Research output: Non-textual form › Performance
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Böse performance at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Performance of Dark Matter (pre-recorded) at NIME 2020
Scott Wilson, Erik Nystrom, 24 Jul 2020Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
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Improvisations at the Spectra Festival in Bogotá, Colombia
Scott Wilson, 8 Sep 2018Research output: Non-textual form › Performance
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Mullmusik: Tour of Europe 2001. Sound Installation. Open Ears Festival, May 7-11, 2003. Kitchener, Ontario, Canada
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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A joke on Copyright: Electric Rainbow Coalition Festival, Dartmouth University, Hanover, NH, USA. August 23, 2003
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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Scott Wilson
Scott Wilson, 1 Jan 2005, SoundVisions.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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I will go with the Yogi (Qawwali Palimpsestic)
Scott Wilson, 29 May 2015Research output: Non-textual form › Composition
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Music / Sound Design for Liz Tomlin’s Landfill (2008/9) for multichannel sound system: Approximately 40 minutes of audio material. 12-14 February 2009
Scott Wilson, 12 Feb 2009Research output: Non-textual form › Performance
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BEASTmulch System: BEASTmulch System is a software tool for the presentation of electroacoustic music over multichannel systems. Designed primarily with a classic 'live diffusion' model in mind, it is nevertheless flexible enough to be adapted for a number of purposes, and can support input and output configurations of arbitrary complexity (i.e. live inputs, soundfiles with varying numbers of channels, etc.)
Scott Wilson, 1 Jan 2009Research output: Non-textual form › Software
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Müllmusik (2000-1) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 15 minutes
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
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A work for the Canadian trio Toca Loca: A work for the Canadian trio Toca Loca
Scott Wilson, 1 Jan 2012Research output: Non-textual form › Composition
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Gotlandic Miscellanea (2008) electroacoustics: Sonic Arts Research Centre, Queen’s University, Belfast, Northern Ireland. 9 minutes
Scott Wilson, 9 Feb 2011Research output: Non-textual form › Performance
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Performance at Expozice Nové Hudby 2015, hosted by the Brno Philharmonic
Scott Wilson & Scott Wilson, 12 Jun 2015Research output: Non-textual form › Performance
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Dark matter: the sound of new physics at Techfest Aberdeen
Scott Wilson, 20 Sep 2018Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: Old Fortress, Corfu. 8 minutes
Scott Wilson, 29 Jun 2008Research output: Non-textual form › Performance
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Broken Allegory (2008) for percussion and interactive computer system: Brian Parks, SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes
Scott Wilson, 10 Apr 2008Research output: Non-textual form › Performance
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Broken Allegory: for percussion and interactive computer system. 8 minutes
Scott Wilson, 1 Jan 2008Research output: Non-textual form › Composition
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Squares Circles Labyrinths: March 18-19, 2010. Birmingham UK. I conducted Orchestra IV in Stockhausen’s Carré
Scott Wilson, 18 Mar 2010Research output: Non-textual form › Performance
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Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems
Scott Wilson, 3 Apr 2014, In: Computer Music Journal. 38, 1, p. 54-64 10 p.Research output: Contribution to journal › Article › peer-review
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Performance of Vivid by Eva Zöllner in Querétaro, Mexico
Scott Wilson, 26 Nov 2019Research output: Non-textual form › Performance
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Possibly Beautiful: Wesleyan World Music Weekend: 40 Years of Music at Wesleyan. Bebruary 21, 2003, Middletown, CT, USA. 9 minutes
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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Shuttle Dearms: Music theatre for two composer/performers, and two shadoe puppeteers. February 20-21, Toronto, Canada
Scott Wilson, 1 Jan 2004Research output: Non-textual form › Composition
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head-neck-chest-four-five-six-thing
Scott Wilson, 2016Research output: Non-textual form › Composition
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Performance of I will go with Yogi (Qawwali Palimpsestic)
Scott Wilson, 14 Feb 2016Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: The Late Music Festival, National Centre for Early Music, York. 8 minutes
Scott Wilson, 8 Jun 2008Research output: Non-textual form › Performance
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Composition with SuperCollider
Scott Wilson, 1 Jan 2011, The SuperCollider Book. Wilson, S., Cottle, D. and Collins, N. (eds).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Müllmusik Performance at Spectra Festival Bogotá: 3. The drab debate the dreary
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Photo Shopped Music (2000-1) electroacoustic: BEAST, Hello Digital Festival, Millennium Point, Birmingham. 14 minutes
Scott Wilson, 23 Oct 2008Research output: Non-textual form › Performance
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Gotlandic Miscellanea (2008) electroacoustics: SuperCollider Symposium 2009, Wesleyan University, USA. 8 minutes
Scott Wilson, 10 Apr 2008Research output: Non-textual form › Performance
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A Graveyard of Unwanted Sound (2001) electroacoustics: Lecture concert at the Université de Montréal, Montreal, Canada. 10 minutes
Scott Wilson, 8 Apr 2010Research output: Non-textual form › Performance
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Qawwali Shrine Live Coding project
Scott Wilson, Scott Wilson, 26 Jan 2017Research output: Non-textual form › Composition
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Performance of Vivid by Eva Zöllner at BEAST FEaST 2020
Scott Wilson, 13 May 2020Research output: Non-textual form › Performance
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Vortically: for quarter-tone bass flute and live multichannel electroacoustics. 12 minutes. January 16, 2010. BEAST Plus, Birmingham, UK
Scott Wilson, 16 Jan 2010Research output: Non-textual form › Performance
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Amuse-oreilles: (Eight small pieces for the Hermes Ensemble)
Scott Wilson, 2014Research output: Non-textual form › Composition
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Performance of Dark Matter (orchestra version) with Esprit Orchestra
Scott Wilson, 15 Apr 2018Research output: Non-textual form › Performance
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Gotlandic Miscellanea, Performance at Festival Klang!, Opera Comedie, Montpellier
Scott Wilson, 1 Jun 2018Research output: Non-textual form › Performance
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Dark Matter Performance at the Attenborough Centre
Scott Wilson, Erik Nystrom, 21 Feb 2018Research output: Non-textual form › Performance
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of British Columbia, Vancouver. 13 minutes
Scott Wilson, 23 Jan 2008Research output: Non-textual form › Performance
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Böse, performance at Festival Klang!, Opera Comedie, Montpellier
Scott Wilson, 30 May 2018Research output: Non-textual form › Performance
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Gotlandic Miscellanea performance at Spectra Festival in Bogotá
Scott Wilson, 14 Sep 2018Research output: Non-textual form › Performance
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Media Bites: Pavillion de Bendôme, June 22, 2005. Aix en Provence, France. 7 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
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Broken Allegory (2008) for percussion and interactive computer system: Aiyun Huang, McGill University, Montreal. 8 minutes
Scott Wilson, 1 Apr 2008Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Electroacoustic Fair, Sound Festival. Aberdeen, Scotland
Scott Wilson, 13 Nov 2010Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. Inventionen Festival, Berlin, Germany
Scott Wilson, 27 Jul 2010Research output: Non-textual form › Performance
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IPSOS: The Interactive Physics Sonification System
Scott Wilson, 2018Research output: Non-textual form › Software
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Stirring Up Pea Stew: A Networked Feedback Structure for Live Coding
Scott Wilson, 13 Jul 2015. 1 p.Research output: Contribution to conference (unpublished) › Poster › peer-review
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Dark matter live coding performance at MANTIS festival
Scott Wilson & Erik Nystrom, 28 Sep 2018Research output: Non-textual form › Performance
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New Music, Why Brother?
Scott Wilson, 1 Jan 2004, In: M(a)Glzone. p. 1 1 p.Research output: Contribution to journal › Article
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Böse: for large-scale multichannel electroacoustics. 9 minutes
Scott Wilson, 1 Jan 2010Research output: Non-textual form › Composition
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Dark Matter (orchestra version)
Scott Wilson, 15 Apr 2018Research output: Non-textual form › Composition
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Kelp Road performance at CCRMA, Stanford University
Scott Wilson, 19 Apr 2018Research output: Non-textual form › Performance
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Performance of a mezza voce by the Bozzini Quartet
Scott Wilson, 13 Mar 2019Research output: Non-textual form › Performance
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Nuit Bleue, July 15 2005, Birmingham. 11 minutes
Scott Wilson, 1 Jan 2005, A Joke on copyright.Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Müllmusik (2000-1) electroacoustic with video: The Tank, New York City, USA. ca. 20 minutes for this performance
Scott Wilson, 8 Apr 2009Research output: Non-textual form › Performance
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On the Impossibility of Reflection (2011): for piano and electroacoustics, 12 minutes. September 29, 2011. Bangor, Wales
Scott Wilson, 29 Sep 2011Research output: Non-textual form › Performance
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Spatial swarm granulation
Scott Wilson, 1 Jan 2008.Research output: Contribution to conference (unpublished) › Paper › peer-review
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Presentation of Kelp Road at Sonologues, Vancouver
Scott Wilson, 22 Nov 2017Research output: Non-textual form › Exhibition
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Brennen (2007) for clarinet and interactive computer system: Jean-Guy Boisvert, University of Regina, Regina, Canada. 13 minutes
Scott Wilson, 25 Jan 2008Research output: Non-textual form › Performance
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Vortically (2010): for quarter-tone bass flute and live multichannel electroacoustics. 12 minutes. Rarescale concert series, London, UK
Scott Wilson, 18 Sep 2010Research output: Non-textual form › Performance
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Performance of Vivid by Eva Zöllner in Morelia, Mexico
Scott Wilson, 29 Nov 2019Research output: Non-textual form › Performance
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Performance of Vivid by Eva Zöllner in Mérida, Mexico
Scott Wilson, 4 Dec 2019Research output: Non-textual form › Performance
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Live Stream online performance of Dark Matter at NIME 2020
Scott Wilson, Erik Nystrom, 25 Jul 2020Research output: Non-textual form › Performance
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Böse (2010): for large-scale multichannel electroacoustics. 9 minutes. BEAST: States of Play, Birmingham, UK
Scott Wilson, 15 Oct 2010Research output: Non-textual form › Performance
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Dark Matter Solo Live Coding Performance at the Poznań Spring Festival
Scott Wilson & Scott Wilson, 20 Mar 2016Research output: Non-textual form › Performance
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Dark Matter, live coding performance at Festival Klang! Opera Comedie, Montpellier
Scott Wilson, 2 Jun 2018Research output: Non-textual form › Performance
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Kelp Road, performance at Festival Klang!, Opera Comedie, Montpellier
Scott Wilson, 3 Jun 2018Research output: Non-textual form › Performance
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Vivid: for accordion and live electroacoustics
Scott Wilson, 6 Sep 2018Research output: Non-textual form › Composition
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L'Estate: Performed by Ensemble Symposium, April 21, 2005, Vancouver East Cultural Centre, Vancouver, Canada. 7 minutes
Scott Wilson, 1 Jan 2005Research output: Non-textual form › Composition
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BEASTLY Fanfare (2007) for large scale multichannel electroacoustic system: BEAST: 25 Years of BEAST Part II, CBSO Centre Birmingham. 2.5 minutes
Scott Wilson, 8 Mar 2008Research output: Non-textual form › Performance