Graham Saunders

Publications

  1. 2020
  2. Accepted/In press

    “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer Face Theater and the Royal Court’s 1996 West End Season

    Graham Saunders, 2020, (Accepted/In press) After In-Yer-Face Theatre Remnants of a Theatrical Revolution. London: Palgrave Macmillan, 20 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. 2019
  4. Published

    Masters (and Mistresses) of Menace

    Graham Saunders, 7 May 2019, In : Journal of Contemporary Drama in English. 7, 1, p. 12-28 17 p.

    Research output: Contribution to journalArticle

  5. 2018
  6. Published

    ‘His Last Bow’: Harold Pinter’s Genre Disobedience in Sleuth (2007)

    Graham Saunders, 30 Sep 2018, In : Coup de Théâtre. 32, p. 41-58

    Research output: Contribution to journalArticle

  7. 2017
  8. Published

    Elizabethan & Jacobean reappropriation in Contemporary British Drama: 'Upstart Crows'

    Graham Saunders, 2 Dec 2017, London: Palgrave Macmillan. 194 p. (Adaptation in Theatre and Performance)

    Research output: Book/ReportBook

  9. E-pub ahead of print

    A Last Hurrah? Joe Orton's 'Until She Screams,' Oh! Calcutta! and the Permisive 1960s

    Graham Saunders, 10 Apr 2017, In : Studies in Theatre and Performance. 37, 1, p. 1-16 16 p.

    Research output: Contribution to journalArticle

  10. 2016
  11. Published

    Contracts, Clauses and Nudes: Breath, Oh! Calcutta! & the Freedom of Authorship

    Graham Saunders, 30 Jun 2016, Staging Beckett in Great Britian . Tucker, D. & McTighe, P. (eds.). Methuen, p. 197-214 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  12. 2015
  13. Published

    Historical & Cultural Background (chapter 1) & British Theatre Companies 1980-1994 (chapter 2): I wrote chapters 1 and 2

    Graham Saunders, 2015, British Theatre Companies 1980-1994. London: Methuen, Vol. 2. p. 1-48 & 49-114 113 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  14. 2014
  15. Published

    ‘Anyone for Venice? Shakespeare’s The Merchant of Venice and Arnold Wesker’s Shylock’, Coup de Théâtre: Variations Contemporaines Autor de Shylock

    Graham Saunders, 2014, Coup de Théâtre: Variations Contemporaines Autor de Shylock,. Khiele, C. & Agathe, T. (eds.). Paris: RADAC, Vol. 28.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Published

    ‘Kicking Tots & Revolutionary Trots: The English Stage Company Young People’s Theatre Scheme 1969-70’

    Graham Saunders, 2014, Ethical Speculations in Contemporary British Theatre. Aragay, M. & Monforte, E. (eds.). Basingstoke: Palgrave Macmillan, p. 190-206 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. 2013
  18. Published

    Foco Novo: the Icarus of British small scale touring theatre

    Graham Saunders, 1 Dec 2013, Reverberations across Small-Scale British Theatre. Duggan, P. & Ukaegbu, V. (eds.). Bristol: Intellect

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

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