Uneasy Queer Art Histories

Activity: Participating in or organising an eventOther


6 Apr 2019


Colleges, School and Institutes


Gregory Salter - Advisor

In the UK in 2017, the fiftieth anniversary of the partial decriminalisation of homosexuality in England and Wales was marked with celebratory media coverage, academic publications, and high-profile exhibitions (including Tate’s ‘Queer British Art’, ‘Coming Out’ at Walker Art Gallery, Liverpool and Birmingham Museum and Art Gallery, and the National Trust’s ‘Prejudice and Pride’ programme). The presence of queer art histories and queer histories in major museums was framed as reflecting social progress and the increasing cultural acceptance of LGBTQ identities.

While these gains are notable and worth celebrating, wider work in queer theory has begun to seek to address elements of queer histories that have been ignored or forgotten in more recent years. In response, this session focuses on uneasy queer art histories; queer art histories which may be disturbing, disruptive, difficult, disavowed, or rooted in failure. It seeks uneasy queer art histories in response to queer theorist Kadji Amin’s call for queer scholars to ‘inhabit unease’ rather than seeking to avoid it. In addressing what might be uneasy, this session aims to expand and disrupt queer art histories beyond narratives of progress and beyond purely UK or US contexts, and to reflect on how we do queer art histories and queer histories more widely.
6 Apr 2019

Uneasy Queer Art Histories: Panel at the Association For Art History Annual Conference 2019

Duration4 Apr 20196 Apr 2019
Location of eventBrighton University
CountryUnited Kingdom
Web address (URL)

Event: Conference