Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)

Nina Rolland; Edlira Mandis

Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924)

Nina Rolland, Edlira Mandis

Languages, Cultures, Art History and Music

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Original language	English
Title of host publication	European Drama and Performance Studies, Consuming Female Performers (1850s-1950s)
Publisher	Éditions Classiques Garnier
Pages	55-72
Volume	5
Publication status	Published - 2015

Publication series

Name	European Drama and Performance Studies
Publisher	Editions Classiques Garnier
Number	2
Volume	2015
ISSN (Electronic)	2045-8541

Cite this

Rolland, N., & Mandis, E. (2015). Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924). In European Drama and Performance Studies, Consuming Female Performers (1850s-1950s) (Vol. 5, pp. 55-72). (European Drama and Performance Studies; Vol. 2015, No. 2). Éditions Classiques Garnier.

Rolland, Nina ; Mandis, Edlira. / Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924). European Drama and Performance Studies, Consuming Female Performers (1850s-1950s). Vol. 5 Éditions Classiques Garnier, 2015. pp. 55-72 (European Drama and Performance Studies; 2).

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Rolland, N & Mandis, E 2015, Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924). in European Drama and Performance Studies, Consuming Female Performers (1850s-1950s). vol. 5, European Drama and Performance Studies, no. 2, vol. 2015, Éditions Classiques Garnier, pp. 55-72.

Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924). / Rolland, Nina; Mandis, Edlira.
European Drama and Performance Studies, Consuming Female Performers (1850s-1950s). Vol. 5 Éditions Classiques Garnier, 2015. p. 55-72 (European Drama and Performance Studies; Vol. 2015, No. 2).

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

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Rolland N, Mandis E. Variety Theatre and Theatre of Variations: Performance, Female Body and Music in Emile Zola’s Nana (1880), Kate Chopin’s The Awakening (1894) and Arthur Schnitzler’s Fräulein Else (1924). In European Drama and Performance Studies, Consuming Female Performers (1850s-1950s). Vol. 5. Éditions Classiques Garnier. 2015. p. 55-72. (European Drama and Performance Studies; 2).