Transpositions des Illuminations, ou Rimbaud en musique

H Abbott

Transpositions des Illuminations, ou Rimbaud en musique

Translated title of the contribution: Transpositions of Illuminations, or Rimbaud in Music

H Abbott

Languages, Cultures, Art History and Music

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Abstract

Résumé La mise en musique des Illuminations par Benjamin Britten (1939) remanie le texte rimbaldien en effectuant des « transpositions » de prosodie, de forme, de sonorités, et de figuralismes. Nous proposons que ces « transpositions » proviennent d’un processus inhérent au texte poétique lui-même. Abstract Benjamin Britten’s 1939 setting of Les Illuminations reworks Rimbaud’s poetry by creating certain ‘transpositions’ of prosody, form, sound properties, and word-painting. The contention here is that these ‘transpositions’ stem from a process that is inherent to the poetic text itself.

Translated title of the contribution	Transpositions of Illuminations, or Rimbaud in Music
Original language	French
Title of host publication	Parade Sauvage - Revue d'etudes rimbaldiennes
Publisher	Éditions Classiques Garnier
Pages	301-324
Volume	2014
Edition	25
ISBN (Electronic)	9782812436741
ISBN (Print)	978-2-8124-3674-1
Publication status	Published - 17 Apr 2015

Bibliographical note

The Journal also has a US-based website here: https://sites.dartmouth.edu/paradesauvage/ One of the editors-in-chief is US-based (Seth Whidden). The journal is peer-reviewed, and published in French by Classiques Garnier (usually with an ISBN number). Founded in 1984 and published by Classiques Garnier, Parade sauvage is an international scholarly journal bringing together studies of all aspects of the work and life of Rimbaud (including: biography, history and social contexts, semantics, philology, lexicography, poetics, formal and theoretical approaches to the Rimbaldian corpus).

Access to Document

http://www.classiques-garnier.com/editions/index.php?page=shop.product_details&flypage=flypage_garnier.tpl&product_id=1849&category_id=58&option=com_virtuemart&Itemid=1&vmcchk=1&Itemid=1Licence: None: All rights reserved

Cite this

Abbott, H. (2015). Transpositions des Illuminations, ou Rimbaud en musique. In Parade Sauvage - Revue d'etudes rimbaldiennes (25 ed., Vol. 2014, pp. 301-324). Éditions Classiques Garnier. http://www.classiques-garnier.com/editions/index.php?page=shop.product_details&flypage=flypage_garnier.tpl&product_id=1849&category_id=58&option=com_virtuemart&Itemid=1&vmcchk=1&Itemid=1

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abstract = "R{\'e}sum{\'e} La mise en musique des Illuminations par Benjamin Britten (1939) remanie le texte rimbaldien en effectuant des « transpositions » de prosodie, de forme, de sonorit{\'e}s, et de figuralismes. Nous proposons que ces « transpositions » proviennent d{\textquoteright}un processus inh{\'e}rent au texte po{\'e}tique lui-m{\^e}me. Abstract Benjamin Britten{\textquoteright}s 1939 setting of Les Illuminations reworks Rimbaud{\textquoteright}s poetry by creating certain {\textquoteleft}transpositions{\textquoteright} of prosody, form, sound properties, and word-painting. The contention here is that these {\textquoteleft}transpositions{\textquoteright} stem from a process that is inherent to the poetic text itself.",

author = "H Abbott",

note = "The Journal also has a US-based website here: https://sites.dartmouth.edu/paradesauvage/ One of the editors-in-chief is US-based (Seth Whidden). The journal is peer-reviewed, and published in French by Classiques Garnier (usually with an ISBN number). Founded in 1984 and published by Classiques Garnier, Parade sauvage is an international scholarly journal bringing together studies of all aspects of the work and life of Rimbaud (including: biography, history and social contexts, semantics, philology, lexicography, poetics, formal and theoretical approaches to the Rimbaldian corpus).",

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day = "17",

language = "French",

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Abbott, H 2015, Transpositions des Illuminations, ou Rimbaud en musique. in Parade Sauvage - Revue d'etudes rimbaldiennes . 25 edn, vol. 2014, Éditions Classiques Garnier, pp. 301-324. <http://www.classiques-garnier.com/editions/index.php?page=shop.product_details&flypage=flypage_garnier.tpl&product_id=1849&category_id=58&option=com_virtuemart&Itemid=1&vmcchk=1&Itemid=1>

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AU - Abbott, H

N1 - The Journal also has a US-based website here: https://sites.dartmouth.edu/paradesauvage/ One of the editors-in-chief is US-based (Seth Whidden). The journal is peer-reviewed, and published in French by Classiques Garnier (usually with an ISBN number). Founded in 1984 and published by Classiques Garnier, Parade sauvage is an international scholarly journal bringing together studies of all aspects of the work and life of Rimbaud (including: biography, history and social contexts, semantics, philology, lexicography, poetics, formal and theoretical approaches to the Rimbaldian corpus).

PY - 2015/4/17

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N2 - Résumé La mise en musique des Illuminations par Benjamin Britten (1939) remanie le texte rimbaldien en effectuant des « transpositions » de prosodie, de forme, de sonorités, et de figuralismes. Nous proposons que ces « transpositions » proviennent d’un processus inhérent au texte poétique lui-même. Abstract Benjamin Britten’s 1939 setting of Les Illuminations reworks Rimbaud’s poetry by creating certain ‘transpositions’ of prosody, form, sound properties, and word-painting. The contention here is that these ‘transpositions’ stem from a process that is inherent to the poetic text itself.

AB - Résumé La mise en musique des Illuminations par Benjamin Britten (1939) remanie le texte rimbaldien en effectuant des « transpositions » de prosodie, de forme, de sonorités, et de figuralismes. Nous proposons que ces « transpositions » proviennent d’un processus inhérent au texte poétique lui-même. Abstract Benjamin Britten’s 1939 setting of Les Illuminations reworks Rimbaud’s poetry by creating certain ‘transpositions’ of prosody, form, sound properties, and word-painting. The contention here is that these ‘transpositions’ stem from a process that is inherent to the poetic text itself.

M3 - Chapter (peer-reviewed)

SN - 978-2-8124-3674-1

VL - 2014

SP - 301

EP - 324

BT - Parade Sauvage - Revue d'etudes rimbaldiennes

PB - Éditions Classiques Garnier

ER -

Transpositions des Illuminations, ou Rimbaud en musique

Abstract

Bibliographical note

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