Abstract
This article integrates an art historical perspective into previous paleographical and linguistic approaches to manuscripts copied by the “hooked-g scribes.” By identifying the work of the illuminators in manuscripts outside of the hooked-g context, it is possible to reconstruct a tentative chronology for the fifteen undated manuscripts of the hooked-g scribes (a group inclusive of multiple copies of works by Chaucer, Lydgate, and Gower). Furthermore, a study of the illuminators reveals regular collaboration between one hooked-g scribe and two border artists, indicating that sustained cooperation between book craftsmen was considered a viable method of book production during the second half of the fifteenth century.
Original language | English |
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Pages (from-to) | 151-186 |
Journal | Chaucer Review |
Volume | 51 |
Issue number | 2 |
Publication status | Published - 7 Apr 2016 |