Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR: Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece)

Douglas Harrison

Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR: Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece)

Douglas Harrison

Music

Research output: Non-textual form › Performance

Original language	English
Publication status	Published - 19 Mar 2010

Cite this

Harrison, D. (2010). Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR: Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece). Performance

Harrison, Douglas (Author). / Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR : Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece). [Performance].

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Harrison, D, Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR: Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece), 2010, Performance.

Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR: Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece). Harrison, Douglas (Author). 2010.

Research output: Non-textual form › Performance

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T2 - Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece)

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Harrison D. Squares–Circles–Labyrinths (New Music Ensemble/BEAST/CEMPR: Conducted two performances Q Club (Methodist Central Hall), Birmingham – programme included Berio’s Laborintus II (staged), which I conducted, and Stockhausen’s Carré for four choirs and orchestras, one of which I conducted; preparations for Carré also involved the production of a guide track to permit the four conductors to synchronise even when they were not in direct visual contact with each other (the original method of co-ordination employed in the piece) 2010.