Abstract
Scholars of Shakespeare's reception still conclude that he was elevated in the eighteenth century from provincial playwright to ‘secular scripture’, his words reverently spoken ‘everywhere’. This article proposes that there was a negative side to this omnipresence. Through the lens of the eighteenth-century novel, it examines the hitherto unstudied phenomenon of ‘banal Shakespeare’: a Shakespeare whose phrases are overused by polite society. It focuses on those instances in the fiction of Samuel Richardson, Henry Fielding, Sarah Fielding and Laurence Sterne when the novelists deliberately have their characters quote Shakespeare in ways that are trite, clichéd or compelled by society. Asking whether ‘banal Shakespeare’ is a threat, or an aid, to the ‘rise of bardolatry’, this article contributes a new sense of the multiple, ambiguous meanings of ‘Shakespeare’ in the eighteenth century, and develops the study of novelistic quotation.
Original language | English |
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Pages (from-to) | 610-621 |
Number of pages | 12 |
Journal | Literature Compass |
Volume | 4 |
Issue number | 3 |
DOIs | |
Publication status | Published - May 2007 |
Bibliographical note
Literature Compass Graduate Essay Prize (runner-up)Keywords
- Shakespeare
- eighteenth century
- prose fiction
- novel
- reception
- Samuel Richardson
- Henry Fielding
- Sarah Fielding
- Laurence Sterne