Projects per year
Abstract
This paper outlines some recent developments in multichannel composition at the Electroacoustic Music Studios, University of Birmingham and its performance wing, BEAST (Birmingham ElectroAcoustic Sound Theatre). In doing so it attempts to codify and define some emerging aspects of spatialisation practice which are found both within the BEAST community and beyond. The discussion covers software and techniques developed and adapted for use with BEAST, new and pragmatic approaches to composing for large-scale multichannel systems, such as n-channel composition and composing in 'stems', and issues arising from a resulting blurring between composition and performance practices.
Original language | English |
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Pages (from-to) | 239-250 |
Number of pages | 12 |
Journal | Organised Sound |
Volume | 15 |
Issue number | 3 |
Early online date | 25 Oct 2010 |
DOIs | |
Publication status | Published - 1 Dec 2010 |
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Dive into the research topics of 'Rethinking the BEAST: Recent developments in multichannel composition at Birmingham ElectroAcoustic Sound Theatre'. Together they form a unique fingerprint.Projects
- 1 Finished
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Development of an Intelligent Software Controlled System for the Diffusion of Electroacustic Music on Large Arrays of Mixed Loudspeakers
Wilson, S. & Harrison, J.
Arts and Humanities Research Council
1/11/06 → 31/10/08
Project: Research Councils
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Talk on the history and practice of spatial audio at the University of Western England
Scott Wilson (Invited speaker)
13 Nov 2017Activity: Academic and Industrial events › Guest lecture or Invited talk
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Space in Electronic Music in Space: An Informal Introduction to a Convoluted Problem
Scott Wilson (Invited speaker)
4 Jul 2016Activity: Academic and Industrial events › Conference, workshop or symposium
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Research presentation
Scott Wilson (Invited speaker)
4 Nov 2014Activity: Academic and Industrial events › Guest lecture or Invited talk