Abstract
Critically reflecting upon a performance piece enacted by the author, this paper explores the value of artistic practice as a means for undertaking research. The performance was a piece of GPS drawing, using the movement of a body in space to write the word ‘RIDE’ across the city, subsequently represented in the form of a map. Scholars working in mobilities have increasingly been opening up the spaces of transport to critical enquiry, revealing the practices and powers enmeshed in the everyday activity of moving from A-to-B. This paper argues that in using a bicycle ride to create an art work – even one of little aesthetic merit – the author was able to create a new understanding of cycling practices that would not be captured through conventional social science techniques.
| Original language | English |
|---|---|
| Pages (from-to) | 287-292 |
| Number of pages | 6 |
| Journal | Cultural Geographies |
| Volume | 21 |
| Issue number | 2 |
| Early online date | 29 Nov 2012 |
| DOIs | |
| Publication status | Published - 1 Apr 2014 |