Musical response in the Early Modern Playhouse, 1603-1625

Research output: Book/ReportBook

7 Citations (Scopus)

Abstract

Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness.
Original languageEnglish
Place of PublicationCambridge
PublisherCambridge University Press
Number of pages260
ISBN (Electronic)9781316848333
ISBN (Print)9781107180840, 9781316632369
DOIs
Publication statusPublished - 7 Sep 2017

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