Abstract
This article brings together essays on revenge by philosophers Simone de Beauvoir and Emmanuel Levinas with the rape-revenge film genre through a detailed reading of French director Coralie Fargeat’s first feature film Revenge (2017). It also links the film’s presentation of rape and violence to the #MeToo movement and how it played out in France under the #BalanceTonPorc hashtag and suggests that the leading protagonist of Revenge Jen (Mathilda Lutz) may be considered as an example of the twenty-first century version of horror’s “Final Girl” first theorized by Carol Clover in the 1980s.
Original language | English |
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Pages (from-to) | 110-125 |
Number of pages | 16 |
Journal | The Philosophical Journal of Conflict and Violence |
Volume | VI |
Issue number | 1 |
Publication status | Published - 14 Apr 2022 |
Keywords
- rape
- revenge
- Beauvoir
- Levinas
- feminist horror
ASJC Scopus subject areas
- General Arts and Humanities