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Abstract
Using Ashbery’s collages and selected poems, in conjunction with Brainard and Ashbery’s collaborative venture The Vermont Notebook (1975), and testimony from Ashbery and his partner David Kermani (who took the photograph on the cover of The Vermont Notebook), this chapter will illuminate the creative, collaborative relationship between Brainard and Ashbery. In shedding new light on their shared aesthetic – a suggestive, screwball aesthetic characterized by inventiveness, eclecticism, and lightness of touch, that seeks connections and troubles boundaries, and that fuses the written word with the visual image in a variety of ways – this chapter will seek to deepen our understanding of the cross-media significance of both Brainard and Ashbery’s work, and to explore the ways in which Brainard informed and shaped Ashbery’s poetics.
Original language | English |
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Title of host publication | Joe Brainard's Art |
Editors | Yasmine Shamma |
Publisher | Edinburgh University Press |
ISBN (Electronic) | 9781474436694 (ePub), 9781474436687 (PDF) |
ISBN (Print) | 9781474436663 |
Publication status | Published - Apr 2019 |
Keywords
- Joe Brainard
- John Ashbery
- collage
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Dive into the research topics of '"Men with a pair of scissors": Joe Brainard and John Ashbery’s Eclecticism'. Together they form a unique fingerprint.Activities
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Men with a Pair of Scissors: Joe Brainard and John Ashbery
Rona Cran (Presenter)
26 Aug 2016Activity: Academic and Industrial events › Conference, workshop or symposium