Interaction between physiological and subjective states predicts the effect of a judging panel on the postures of cellists in performance

Satoshi Endo, Kristina Stockdale Juhlberg, Adrian Bradbury, Alan Wing

Research output: Contribution to journalArticlepeer-review

4 Citations (Scopus)
260 Downloads (Pure)

Abstract

This study investigated the effect of a panel of judges on the movements and postures of cellists in performance. Twenty four expert cellists played a short piece of music, to a metronome beat, in the presence and absence of the panel. Kinematic analyses showed that in the presence of the panel the temporal execution of left arm shifting movements became less variable and closer to the metronome beat. In contrast, the panel's presence had no reliable effect on their spatial accuracy. A detailed postural analysis indicated that left elbow angle during execution of a given high note was correlated with level of heart rate, though the nature of this correlation was systematically affected by the relevant participant's subjective state: if anxious, a higher heart rate correlated with a more flexed elbow, if not anxious then with a more extended elbow. Our results suggest a change in physiological state alone does not reliably predict a change in behavior in performing cellists, which instead depends on the interaction between physiological state and subjective experience of anxiety. This highlights a need to distinguish performance anxiety from physiological arousal, to which end we advocate currency for the specific term performance arousal to describe heightened physiological activity in a performer.
Original languageEnglish
Article number773
JournalFrontiers in Psychology
Volume5
DOIs
Publication statusPublished - 7 Aug 2014

Keywords

  • motor control
  • music
  • anxiety
  • electrodermal activity
  • cardiac response

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