Abstract
Drawing on the sensory, self-shifting approach of Lorna Goodison’s 1986 poem ‘I am becoming my mother’, and on quantum theory for brief insights into entanglement, this article gazes into the still visualities of family photographs of my own Birmingham childhood (my mother died that same year) to push towards a more entangled conception of (post)diaspora. I use this highly personal entanglement to take issue with three troublingly disentangled ways in which postdiaspora has been imagined in recent academic literature: as the culmination of a teleological movement from migrant to diaspora to post-diaspora; as the slowly weakening pull of diasporic responsibilities and remittances; and as a means to archaise and de-link from ties to a forgetful and irresponsible diaspora. Ultimately, the article pushes towards a more deeply materially and personally entangled version of (post)diaspora.
Original language | English |
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Pages (from-to) | 134-146 |
Number of pages | 13 |
Journal | African and Black Diaspora |
Volume | 13 |
Issue number | 2 |
DOIs | |
Publication status | Published - 1 Jun 2020 |
Bibliographical note
Funding Information:This work was supported by the Arts and Humanities Research Council [grant number AH/P007163/1].
Publisher Copyright:
© 2020, © 2020 Informa UK Limited, trading as Taylor & Francis Group.
Keywords
- Lorna Goodison
- Post-diaspora
- entanglement
- family photographs
ASJC Scopus subject areas
- Demography
- Cultural Studies
- Anthropology
- Arts and Humanities (miscellaneous)
- Sociology and Political Science