‘A trouble to the whole house’: the Frankford's plague‐time home in Thomas Heywood's A Woman Killed with Kindness

Criticism in early modern English drama continues to expose the socio-spatial anxieties generated by plague that shaped both plays and the playhouse space. What has not yet been considered in any detail, however, are the numerous public health measures born out of these anxieties that altered the lived experience of space during outbreaks. This article begins to address this lacuna by reading Thomas Heywood's domestic tragedy A Woman Killed with Kindness through the lens of contemporary plague prevention. Plague policy repurposed the home into a space that might not only contain the infected but, with competent governance, might also provide the first line of defence against infection. Woman Killed, a play that likely premiered in the wake of an outbreak, is vigorously alert to the dynamics of plague-time domestic space and the onus placed on householders to cleanse and manage the home and its peripheries. This article examines how Heywood draws on plague prevention practices to introduce and remove ‘infectious’ sources to and from the Frankford home. Heywood utilizes the cultural immediacy of plague measures to expose and explore the dangers of female adultery that, like plague, threatened the integrity and autonomy of domestic space.