Rose Whyman

Accepting PhD Students

PhD projects

I welcome enquires about research (including Practice as Research) into: Performer training Acting Anton Chekhov Russian and East European theatre Contemporary Russian theatre writing I am currently supervising 3 postgraduate projects: The Impact of Theatre on the Neurodiverse Population - Vicki Taylor ‘To the subconscious by conscious means: towards a new pedagogy for the emotions in UK actor training’ David Jackson Female physical comedy; challenges and ways forward –Maria Loizidou PhD's supervised to completion include: Robert Messik ‘The Purim-shpil and contemporary theatre’ Research as practice, 2019 Lesley Mycroft ‘An exploration of teachers’ voice problems and their possible solution’, 2016 Ann Shapiro ‘East European theatres during the Cold War’. 2016

Research activity per year

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11 Editorial board of a journal
5 Academic conference
3 Grant peer review
2 Examination
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Presentation: ‘Wellbeing, presence and pedagogy in the classroom’
Rose Whyman (Presenter) & Victoria Door (Presenter)
May 2017
Activity: Talk or presentation › Academic conference
Serafima Birman ‘Eccentric Actress and Extraordinary Woman’: The ‘New Wave’ Actresses and Stanislavski’s Moscow Art Theatre,
Rose Whyman (Speaker)
Mar 2017
Activity: Talk or presentation › Academic conference
‘Research into the Alexander Technique and Performance’
Rose Whyman (Speaker)
Nov 2016
Activity: Talk or presentation › Academic conference
Paper: ‘S.M. Volkonsky and the spread of Jaques-Dalcroze’ Eurhythmics in Russia’
Rose Whyman (Speaker)
Jul 2015
Activity: Talk or presentation › Academic conference
Paper: ‘Sacred Theatre – Delsarte, Chekhov and the search for the eternal type’
Rose Whyman (Speaker)
2014
Activity: Talk or presentation › Academic conference

Rose Whyman

Activities

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Presentation: ‘Wellbeing, presence and pedagogy in the classroom’

Serafima Birman ‘Eccentric Actress and Extraordinary Woman’: The ‘New Wave’ Actresses and Stanislavski’s Moscow Art Theatre,

‘Research into the Alexander Technique and Performance’

Paper: ‘S.M. Volkonsky and the spread of Jaques-Dalcroze’ Eurhythmics in Russia’

Paper: ‘Sacred Theatre – Delsarte, Chekhov and the search for the eternal type’