My research explores electroacoustic composition, immersive audio technologies, and the creative potential of environmental sound. I specialise in multichannel acousmatic music and ambisonic audio, developing compositional strategies for large-scale spatial works and investigating how sound can shape perceptions of space and place.

A key focus of my practice is acoustic ecology and the sonic identity of environments. Through extensive field recording, I create works that amplify subtle or imperceptible sonic characteristics, fostering new modes of listening and engagement with the environment. This includes site-specific installations and augmented soundwalks that integrate technology and embodied experience.

I am an active performer with BEAST (Birmingham Electroacoustic Sound Theatre), advancing live acousmatic and improvisatory practices. My interdisciplinary collaborations with dance and theatre companies extend my research into cross-disciplinary contexts, combining sound design and composition to create immersive experiences.